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00Funk said:I just started my 16 year old daughter on bass. Im teaching her slap only.
love that soundJAUQO III-X said:
Blunt said:Well now every dude can double thump. Its impressive but now that every dude does it it loses its impact.
Melody will always win. Miller has shown that.
Reindeue has taken it to a whole new level.
I love the virtiuosity.
But can they walk a line.
Not meBlunt said:Well now every dude can double thump.
I dont know any chords or harmonics either. Blunt said:Well now every dude can double thump.
I don't. Synth bass came to prominence in the 80s because synthesizers did. People were writing songs on synthesizers, including the bass parts. The sound caught on, people liked it, and so artists kept using it. There were isolated occasions where bands used synth parts along with bass guitar - 80s Rush and Level 42 are examples - but they did it deliberately, not to compensate for some lack of sound spectrum ability on the part of the bass.Moe Monsarrat said:in the 80s everyone was slapping & that gave rise to the synth bass. Because the bass no longer sounded like a bass & was not filling that spot, they used a synth to play the bass part. I get that.
JAUQO III-X said:Check this out
http://www.talkbass.com/forum/showthread.php?t=275103
and check out the comment in post #4
JAUQO III-X said:Check this out
http://www.talkbass.com/forum/showthread.php?t=275103
and check out the comment in post #4
jenich CZ said:I wanted to say, that lerning this technique for other players might be "senseless", cos´the parts Doug plays with this technique could be played with regular slap with same sound...
On the other hand: I like Doug´s playing...especially the way he uses his effects..BUT..I also like to try to find the mistakes he does or even things that could be played better...
I hope you´ll get this right : I´m not bigheaded, but i think that if you study someone´s playing with all the great stuff he does and all those mistakes you are going to learn more. It keeps your head open.