Does anyone know what size the plastic nut on the output Jack of the THDI is? Mine fell off somewhere. I emailed Aguilar a week ago and am caught in a Korg corporate support loop, plenty of responses but no answers!
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You could always take the other nut off the input, then take it to an Ace hardware or measure yourself if you are trying to order off the internet.Does anyone know what size the plastic nut on the output Jack of the THDI is? Mine fell off somewhere. I emailed Aguilar a week ago and am caught in a Korg corporate support loop, plenty of responses but no answers!
Great, thanks!my tone hammer has this type nut for the jack:
Plastic Jack Nut - Replacement for Marshall® Jacks
I use a THDI in a couple of different bands. Playing rock and Americana with a drummer, the AGS is always on. As you add gain, It fattens up and saturates before it breaks up. I keep the gain around 9-10 o’clock.Resurrecting this thread as I am considering throwing one of these as the DI on the end of a worship pedal board. I use a Tone Hammer 500 at home. My main question is how the crossover would be. Right now I don't heavily use the drive and I'm wondering if that correlates to the AGS channel on the pedal? Also many moons ago people reported it was pretty noisy as a DI? I'm thinking that can't be the case with current iterations?
My TH is not noisy at all…
Awesome, thank you guys, sounds like it will still be the perfect fit. I'm a big fan of its larger brethren.I use a THDI in a couple of different bands. Playing rock and Americana with a drummer, the AGS is always on. As you add gain, It fattens up and saturates before it breaks up. I keep the gain around 9-10 o’clock.
I also do acoustic gigs with an acoustic bass guitar and use the THDI without the AGS, just clean setting. Lots of EQ on tap and no drive character, if that’s what you want.
I really love the THDI and I’m going to try those settings out this weekend. Thanks for posting your settings.Been doing some preamp roulette lately. Some of the preamps have more features, ins and outs etc but for me the THDI just sounds great and beat them all out. I love everything from clean tones with AGS off, vintage furry tones with AGS on, and then downright dirty tones adding in EBS Billy Sheehan Deluxe or Shiftline Buzz V2.
The setting I posted above sounds great with a relatively clean tone. Had a play today with P bass, EBS Multicomp and settings below. Phat and greasy is all I can say, but not boomy.
AGS on
Gain - 8 o'clock
Bass - 1.30
Mid freq - 8 o'clock
Mid gain - 1 o'clock
Treble - 10 o'clock
From memory that is similar to Eublet's REDDI setting. Sounds fantastic.
