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Tosin Abasi

The man behind Animals As Leaders.

Technically this guy is a guitar player. I think however that he qualifies as a bit of a guitarist/bassist hybrid, he plays an 8 string guitar, with the lowest string tuned down to an E. So he essentially has the range of a guitar and bass, and he uses it to it's full potential.

Considering he adopts a lot of bass techniques into his playing, and takes a lot of influence from bassists, I figured he might get some love here.

 
Th
The man behind Animals As Leaders.

Technically this guy is a guitar player. I think however that he qualifies as a bit of a guitarist/bassist hybrid, he plays an 8 string guitar, with the lowest string tuned down to an E. So he essentially has the range of a guitar and bass, and he uses it to it's full potential.

Considering he adopts a lot of bass techniques into his playing, and takes a lot of influence from bassists, I figured he might get some love here.


This is god damn awesome
 
The man behind Animals As Leaders.

Technically this guy is a guitar player. I think however that he qualifies as a bit of a guitarist/bassist hybrid, he plays an 8 string guitar, with the lowest string tuned down to an E. So he essentially has the range of a guitar and bass, and he uses it to it's full potential.

Considering he adopts a lot of bass techniques into his playing, and takes a lot of influence from bassists, I figured he might get some love here.


His approach is rather stickish. Very impressive. So this tune - seems more jazz then djent to me, but I really don't know djent - this ain't it, is it?
 
I went and saw AAL with a fellow musician(drummer)last year. Photo0136.jpg
I was concentrating on Javier Reyes mostly.Photo0135.jpgPhoto0144.jpg
HE
is doing most of what a bass player would be doing.
If there was a bass player
 
Dug the first album, but since it seems the tone has gotten more and more artificial - like your typical bedroom recording project with a million plug-ins. All top, mids and no real low end apart from the overly EQ'd kick drum.

This is interesting because the first album literally was a bedroom recording project with a million plugins and everything since has been recorded in real studios with real amps.

I still regularly revisit the first three records but the most recent album didn't grab me at ALL. "Hey, y'all remember that really wanky, off-time thing we did on the last album? And remember those slap parts? Here's 70 minutes of those and nothing else."
 
Mad, mad credit to this band, and especially all the guys who can play this caliber of music...prog, jazz, fusion, funk, etc. But, more and more, when you keeping changing time signatures so much like these guys do, the songs stop being songs, and start being just riffs. I'd love to see what Tosin could do with a more groove-oriented project, instead of sheerly technical stuff, kind of like when Tool branched off, and A Perfect Circle came about. Not to derail this thread, as I just like it when super-technical bands branch off into more flowing sounds into stuff that you can move to.

Regardless, Toastin' Kielbasa is a BAD mofo.