#acousticguitar #improvisation #effects + video made of clips from public domain movie Taking of Luke McVane (1915) VIMEO
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#acousticguitar #improvisation #effects + video made of clips from public domain movie Taking of Luke McVane (1915) VIMEO
#acousticguitar #improvisation #effects + video made of clips from public domain movie Taking of Luke McVane (1915) VIMEO
Like a soundtrack from a scifi techno-dystopian nightmare flick. Blade Runner 3057?And a noisy drone piece:
View attachment 7342372
Single track 1st take improvisation, played on my 28.5" scale tenor bass, tuned to A standard tuning, recorded through my "amp-less" setup, directly into a Zoom H4n handheld recorder, and only edited in a simple Wav editor.
\m/And a bit of hard rock boogie, I just made up and recoded for another demonstration of how the 1 octave down of the Boss XS-1 Poly Shifter sounds blended with dry signal, using a pick, and my 28.5" scale LTD B4JR tenor bass, equipped with an EMG Geezer Butler P pickup, and tuned to A standard tuning.:
View attachment 7342425
My thought exactly.Like a soundtrack from a scifi techno-dystopian nightmare flick.
Either an action spy movie, or an elaborate heist movie.Not a recording as such, but rather me getting back at doing some music programming on my computer, just a little short simple test piece, to shake off the rust:
View attachment 7346177
I imagine it being part of the soundtrack to some 80's action spy movie.
No longer samples used, all plotted in note by note, block by block, in a midi grit, then mixed down with some effects.
A new 1st take, but less improvised, improved and more compact version of this little hard rock boogie for another demonstration of how the 1 octave down of the Boss XS-1 Poly Shifter sounds blended with dry signal.And a bit of hard rock boogie, I just made up and recoded for another demonstration of how the 1 octave down of the Boss XS-1 Poly Shifter sounds blended with dry signal, using a pick, and my 28.5" scale LTD B4JR tenor bass, equipped with an EMG Geezer Butler P pickup, and tuned to A standard tuning.:
View attachment 7342425
aka "prelude to a biker chain fight in a dark alleyway"....A new 1st take, but less improvised, improved and more compact version of this little hard rock boogie for another demonstration of how the 1 octave down of the Boss XS-1 Poly Shifter sounds blended with dry signal.
Utilizing my 28.6" scale 5 string Ibanez GSRM25 Mikro Bass tenor bass, tuned to E standard tuning, using a pick.
Also starring is the EHX English Muff'n (Marshall based genuine tube overdrive).
View attachment 7348294
I'd like to hear that with some raw, aggressive drums.A new 1st take, but less improvised, improved and more compact version of this little hard rock boogie for another demonstration of how the 1 octave down of the Boss XS-1 Poly Shifter sounds blended with dry signal.
Utilizing my 28.6" scale 5 string Ibanez GSRM25 Mikro Bass tenor bass, tuned to E standard tuning, using a pick.
Also starring is the EHX English Muff'n (Marshall based genuine tube overdrive).
View attachment 7348294
Nice. Pretty much the process I used on one of my new songs. When I realized I couldn't play the keyboard parts in real-time (even with it slowed down), I just programmed them in using the MIDI editor. It's in 7/8 (yeah, I'm nuts) which made it hard to get the 'feel' going. It turned out great, though. Sorry, I won't post it here because it will be included in my latest album.Not a recording as such, but rather me getting back at doing some music programming on my computer, just a little short simple test piece, to shake off the rust:
View attachment 7346177
I imagine it being part of the soundtrack to some 80's action spy movie.
No longer samples used, all plotted in note by note, block by block, in a midi grit, then mixed down with some effects.