I really don't know what kinds of music the OP is listening to.
"Dull and thuddy" is OK for jazz?????? What jazz? You listen to any modern melodic jazz and you will hear some of the brightest musical bass tones ever recorded.
Also, we could list plenty of bassists and recordings where flats were used and the tone is plenty bright. In fact, many bassists who switch from certain kinds of rounds to D'Addario Chrome (which are flats) immediately switch back because the Chromes are TOO bright.
I think you are listening with your eyes. If you leave the show of a band you like because the bassist is playing flats, you are just being silly.
Never mind that, as others have stated, if the bass sounds muddy one of two things has happened. (I am also a.sound guy.) Either the bassist has insisted on sending "his tone" to the board, forcing the sound guy to attempt to make make a good mix from mud pie. Or, the sound guy had no idea what he is doing.
Either way it is not the strings. Period. That is a ridiculous notion. You give me a bassist with flats on stage and a willingness to take my advice from the sound board and I will make him sound like the left hand of God on a 20 ft Steinway.
"Dull and thuddy" is OK for jazz?????? What jazz? You listen to any modern melodic jazz and you will hear some of the brightest musical bass tones ever recorded.
Also, we could list plenty of bassists and recordings where flats were used and the tone is plenty bright. In fact, many bassists who switch from certain kinds of rounds to D'Addario Chrome (which are flats) immediately switch back because the Chromes are TOO bright.
I think you are listening with your eyes. If you leave the show of a band you like because the bassist is playing flats, you are just being silly.
Never mind that, as others have stated, if the bass sounds muddy one of two things has happened. (I am also a.sound guy.) Either the bassist has insisted on sending "his tone" to the board, forcing the sound guy to attempt to make make a good mix from mud pie. Or, the sound guy had no idea what he is doing.
Either way it is not the strings. Period. That is a ridiculous notion. You give me a bassist with flats on stage and a willingness to take my advice from the sound board and I will make him sound like the left hand of God on a 20 ft Steinway.