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Tuning down a half-step is awesome!

gustobassman

I'm only here for the after party..
Supporting Member
Mar 31, 2011
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So yes, many years of playing i have finally discovered how awesome my FENDER Jazz V sounds in Eb!! My new project is in this tuning and i have no idea why i never went there before. The vocalist can hit everything without straining, and my bass just seems to absolutely LOVE it! Playing just seems "easier", if that makes sense... I have done Drop-D, and some other odd tuning things, but i have never just flattened the whole thing a half-step.

I get it now. Anyone else have this revelation?

EDIT: Clearing up the fact that i'm not playing jazz. I play original rock/reggae. Jazz V is my Fender Am Std Jazz 5.
 
Gusto: I have never tried tuning down a half step, but after seeing your cool avatar, I can't help thinking of saying this:

"You just listen to the words of the old Porkchop Express and take his advice on a dark and stormy night when the lightning is crashing, the thunder rolling and the rain falling in sheets as thick as lead. Just remember what Jack Burton does when the earth quakes, the poison arrows fall from the sky and the pillars of heaven shake. Yeah, Jack Burton looks that big old storm right in the eye and he says: 'Gimme your best shot pal, I can take it!."
 
To be honest, if we're doing something in "A," and I can just bang on an open G# as a filler sometimes, it's nothing short of awesome. G#, for whatever reason, sounds so much meaner than A. Actually... I think everything sound better a half step down...
 
Gusto: I have never tried tuning down a half step, but after seeing your cool avatar, I can't help thinking of saying this:

"You just listen to the words of the old Porkchop Express and take his advice on a dark and stormy night when the lightning is crashing, the thunder rolling and the rain falling in sheets as thick as lead. Just remember what Jack Burton does when the earth quakes, the poison arrows fall from the sky and the pillars of heaven shake. Yeah, Jack Burton looks that big old storm right in the eye and he says: 'Gimme your best shot pal, I can take it!."

:D:D:D
 
If you are playing a five string why tune down to Eb?
I am working on a song right now that will be played in Eb.
I thought that's what the B string was for. :confused:

Well, here's my approach...

A) I'm matched to the guitarist/vocalist. He does this to help sing.

B) I could easily play Eb on the B, but, having the open string hit that note changes the timbre and adds to feel of the lines we are playing. That, and you just play normally as you would any 5.

For some reason it just seems right. I do get your point however.
 
I beg to differ and think in a covers band it sounds lame , ive got perfect pitch so its my problem only I know, but im hearing tunes in my head in the original key and playing them half a step down just sounds wrong .
I know its easier on the Guitar player and easier on the singer, so in my opinion in a covers band all the songs are written for you so unless its a case of just getting drunk and ogling all the pretties dancing in front of you, where`s the challenge ?
 
I beg to differ and think in a covers band it sounds lame , ive got perfect pitch so its my problem only I know, but im hearing tunes in my head in the original key and playing them half a step down just sounds wrong .

Fair enough. That makes sense. The music we are doing is all originals, so it fits what we do.
 
I like D standard. Kinda moving into metal territory, but it might sound cool with jazz..? Never been a big fan of dropped tunings, but I'm playin ADADG with my bandright now. It's pretty uhm.. Different.

My bass is an American Standard Fender Jazz 5'er. That was the "Jazz V" i'm referring to. I can improv like no one's business, but i have no real clue about playing "real " jazz, hahaha !! :p