Yes Steve Vai BAss player and Joe Satrianis BAss player, in the UK whitsnake now company of snakes, ex Chris squire yes and my friend Neil marry, but some high end pros use a wet dry wet and what I wrote is a wet wet good luck!
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The LeBass is bass specific and the AMT is guitar specific, so I'd go with the LeBass for both because it is voiced specifically for our instrumentIf you had to choose between le bass and AMT S-11 (with bass EQ cranked up of course), which would you consider to be better for both clean and dirty channels
My reason for getting it is to be ampless at most gigs. I get my sound, let the engineer have fun mixing.Best of luck with this, I am sure you going to love it. It takes a little playing with to get it figured out and dialed in but it's certainly well worth it. Tons of tonal options and flavours. I wouldn't have a board without one on it.
Cool!I'd always had my Le Bass early in the chain on my (small) pedalboard. Last night I switched things up and placed the compressor right before it and only the HPF/LPF after. It was as perfect a tone as I've ever been able to come up with. Brought the gain up a bit on the compressor to kind of drive the Le Bass a bit. The signal coming through the chain allowed me to keep input level down on the Mesa D800 and I was getting an absolutely pure tube warmth sound that was both smooth and articulate. Tried it through both my Epifani stack and Ampeg 610 and both were equally religious.
I think this is pretty much the best way to use the Le Bass. My rig is ampless so I get a pretty good tone, but you must get really luscious. What compressor are you using?I'd always had my Le Bass early in the chain on my (small) pedalboard. Last night I switched things up and placed the compressor right before it and only the HPF/LPF after. It was as perfect a tone as I've ever been able to come up with. Brought the gain up a bit on the compressor to kind of drive the Le Bass a bit. The signal coming through the chain allowed me to keep input level down on the Mesa D800 and I was getting an absolutely pure tube warmth sound that was both smooth and articulate. Tried it through both my Epifani stack and Ampeg 610 and both were equally religious.
I suggest trying with the HPF first.I'd always had my Le Bass early in the chain on my (small) pedalboard. Last night I switched things up and placed the compressor right before it and only the HPF/LPF after. It was as perfect a tone as I've ever been able to come up with. Brought the gain up a bit on the compressor to kind of drive the Le Bass a bit. The signal coming through the chain allowed me to keep input level down on the Mesa D800 and I was getting an absolutely pure tube warmth sound that was both smooth and articulate. Tried it through both my Epifani stack and Ampeg 610 and both were equally religious.
It's a Carl Martin. I'm kind of surprised that it doesn't get a bit more love around here.I think this is pretty much the best way to use the Le Bass. My rig is ampless so I get a pretty good tone, but you must get really luscious. What compressor are you using?
I'll definitely give it a try. The Broughton is a fairly recent addition. I actually don't even know why I put it last, it just kind of landed there.I suggest trying with the HPF first.
Another thing I haven't tried is using the effects loop. Is your compressor always on or do you just use it on certain songs? Do you run other pedals into the effects loop as well?I love my mark bass compressore in the effects loop of my le bass
Another thing I haven't tried is using the effects loop. Is your compressor always on or do you just use it on certain songs? Do you run other pedals into the effects loop as well?
I have the same EQ but I would need to get a bigger pedal board, not sure I want to go bigger. I’m trying to get smaller and lighter.I keep my compressor in the loop as well. Gives me just the right amount of punch.
I also just added a MXR 10 Band EQ that serves as my Boost pedal. I was using a standard boost, but I realized that I wanted less lows and more mids for clarity when I solo instead of just more volume. The added bonus is that it lights up my board like a Christmas tree!
Next purchase is to replace the A/B box with a Radial Mix Blender so that I can integrate in multiple basses and have a blendable effects loop, then I'll be working on an effects only board that can connect into this board for the rare occasion that my gig requires effects.
Played an All-Star jam at a Fest a couple of weeks ago and had to use the house bass rig, which was a Sansamp Bass Driver into an old Yorkville power amp powering a ratty old Hartke 1x15 cab. I turned off all of the processing in the Sansamp, plugged in my board, and there was “my sound.” I NEVER play without my board these days.
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I have the same EQ but I would need to get a bigger pedal board, not sure I want to go bigger. I’m trying to get smaller and lighter.