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U.S. Peavey Club

Here's a pic of the Sarzo single coil mod for the neck pickup. For the bridge PU, it's green/white pair would also be soldered to ground. This is easily reversible. Of course a switch could be added to ground the coil taps if you want that feature. If both PUs are done, opposite polarity coils would need to be used to reduce hum when both PUs are on.

Another mod I've done to all my 5 knob DynaBass type preamps is to have the Passive Tone control enabled all the time so it works with Active or Passive modes. I find that in the Active mode it smooths out the action of the High control and helps control the new string "zing" that bothers me so much. It will be inserted between the output of the preamp and the output jack so it will also reduce any hiss from the preamp.

The two solder pads that are marked on the Active/Passive switch connections are soldered together to make this mod, which is also easily reversible. Use caution when first trying this mod and have the amp volume turned all the way off. If the wrong pads on the Active/Passive switch are soldered together, the preamp may oscillate.

The location of the Passive Tone cap is also marked for anyone who may wish to try other values. It's a .033uF from the factory, which I think works well.

Once your iron's hot, it takes less time to do than to read about it.
mech

SarzoPreamp-NeckSC_zps12543a43.jpg
 
Here's a pic of the Sarzo single coil mod for the neck pickup. For the bridge PU, it's green/white pair would also be soldered to ground. This is easily reversible. Of course a switch could be added to ground the coil taps if you want that feature. If both PUs are done, opposite polarity coils would need to be used to reduce hum when both PUs are on.

Another mod I've done to all my 5 knob DynaBass type preamps is to have the Passive Tone control enabled all the time so it works with Active or Passive modes. I find that in the Active mode it smooths out the action of the High control and helps control the new string "zing" that bothers me so much. It will be inserted between the output of the preamp and the output jack so it will also reduce any hiss from the preamp.

The two solder pads that are marked on the Active/Passive switch connections are soldered together to make this mod, which is also easily reversible. Use caution when first trying this mod and have the amp volume turned all the way off. If the wrong pads on the Active/Passive switch are soldered together, the preamp may oscillate.

The location of the Passive Tone cap is also marked for anyone who may wish to try other values. It's a .033uF from the factory, which I think works well.

Once your iron's hot, it takes less time to do than to read about it.
mech

SarzoPreamp-NeckSC_zps12543a43.jpg

Wow Mech, that is SO COOL !! Another reason why I love Peavey so darn much.

So, do you have coil tap switches, or once the mod is done as in your photo it's always on ? So, it went from humbucker to single coil, but if you added a switch you could do it at will ? Also, I love your mod of having EQ in active and passive. You are the man !!!!
 
...do you have coil tap switches, or once the mod is done as in your photo it's always on?...

Right now it's always single coil since the tap is soldered to ground. I doubt I'd drill a hole for another switch but if I find I'm lacking something live I may set it up for active all the time and use the Active/Passive switch to tap the coil.

Just another red Sarzo with a little secret.....
mech

RedSarzo1.jpg
 
I saw Rudy Sarzo play his signature bass in Quiet Riot in the 80's!

My lone Peavey bass is a 1985 Foundation 4 string in all black with solid maple neck.

I haven't spent much time here as a newbie but how do you Peavey players like the 2 piece split maple neck on Foundations like mine?

This thing feels extremely solid and sounds great too thru my USA David Eden 'the metro' 2x10 combo!

The neck looks nice and aged with a nice patina but I am very tempted to go ahead and sand & polish the neck and frets (which I do to my guitars).

I am mainly a rosewood board player in guitars.

What should I do with the maple fretboard on this 1985 Foundation? Leave it alone or start with 1000 grit then 2000 etc?
 
I saw Rudy Sarzo play his signature bass in Quiet Riot in the 80's!

My lone Peavey bass is a 1985 Foundation 4 string in all black with solid maple neck.

I haven't spent much time here as a newbie but how do you Peavey players like the 2 piece split maple neck on Foundations like mine?

This thing feels extremely solid and sounds great too thru my USA David Eden 'the metro' 2x10 combo!

The neck looks nice and aged with a nice patina but I am very tempted to go ahead and sand & polish the neck and frets (which I do to my guitars).

I am mainly a rosewood board player in guitars.

What should I do with the maple fretboard on this 1985 Foundation? Leave it alone or start with 1000 grit then 2000 etc?

Foundations through Edens, sounds just like my rig. Use blue painters tape and tape off the fret board, then steel wool on the frets. Otherwise the finish of the fretboard will not match the "nice patina" of the rest of the neck.
 
Foundations through Edens, sounds just like my rig. Use blue painters tape and tape off the fret board, then steel wool on the frets. Otherwise the finish of the fretboard will not match the "nice patina" of the rest of the neck.

I am filling in the dings on the maple neck with super glue, then scrape them down before sanding with 1000 and then 2000 and 0000 steel wool.

I cannot stand chips on thick poly finishes!

This 1985 Foundation weighs 9 1/2 lbs, is this considered one of the lighter ones?

The overall quality seems very good in terms of the neck and hardware....I did notice one stripped Phillips screw on one of the tuners, but that was looking at everything with a magnifying glass LOL!
 
I saw Rudy Sarzo play his signature bass in Quiet Riot in the 80's!

My lone Peavey bass is a 1985 Foundation 4 string in all black with solid maple neck.

I haven't spent much time here as a newbie but how do you Peavey players like the 2 piece split maple neck on Foundations like mine?

This thing feels extremely solid and sounds great too thru my USA David Eden 'the metro' 2x10 combo!

The neck looks nice and aged with a nice patina but I am very tempted to go ahead and sand & polish the neck and frets (which I do to my guitars).

I am mainly a rosewood board player in guitars.

What should I do with the maple fretboard on this 1985 Foundation? Leave it alone or start with 1000 grit then 2000 etc?

Trade it to me for my 1985 Foundation with rosewood. I am a diehard maple guy.