Lined, I want to be able to say I play fretless bass fo sho
Sounds like music to my ears, when things are correctly intonated as such. On you go with that barren bare desert of a fretboard of yours, I'll take the lines. Especially after this.
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Lined, I want to be able to say I play fretless bass fo sho
I was playing that Tony Franklin again. My teacher really discouraged unlined fretless, but I am confident that I could be competent on an unlined fretless if I bought one. Once I thought about some more, I really thought why am I worried about lined or unlined fingerboards? Fretless depends on a good ear and muscle memory whether a bass has lines or not. I just need to practice on the basses I own already. I do not want to fall into the trap I was in when I was young of worrying about a 24 fret bass instead of buckling down and learning the fretboard and theory. That Tony Franklin is sweet, but someone else can have it.
I’ll be honest, made it to page 5 then skipped on over to page 11. Gotta save time for practice or else one’s liable to be stuck in Talkbass land for who knows how long.It's comical that the same statements are being made over and over and over again. I guess many don't have the time to read 12 pages of this blither before they comment..![]()
It's comical that the same statements are being made over and over and over again. I guess many don't have the time to read 12 pages of this blither before they comment..![]()
You scared me for a second, until I saw "flats". My Pbass still has some fairly deep grooves from my days with Rotosound rounds
The positions of fret lines are not correct??I learned on fretless starting in 1988. I have always played without lines. They feel weird (unless sealed over), their positions are not “correct” for playing fretless, and they distract me. Plus I just don’t dig the way they look. The exception on that last point is one that I played which had the original frets left in...but filed down totally flush with the board. That looked kind of cool. Still didn’t want to buy the bass, though.
Unlined, more in tune with looking the part, than actually being in tune with the part. All fo' sho'.
In fact, pitch perception is actually an aptitude that can be measured, but literally can not be taught or learned. It is to varying degrees in our genetic codes. The Johnson O’Connor Foundation has literally decades of measurement and data that do not disprove this.
The other two musical aptitude’s are tonal memory and rhythmic memory; both of which can also be measured. I measured 96th, 87th and 82nd percentiles respectively when I was tested. Brutally honest tests. I thought that was pretty good; but, they advised me to seek other occupations, since there are others out there with all three in the upper 90’s. Ah, nature....