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Wal Bass Club.

Ok thanks for the instruction on the photographs I'm an older guy so bare with me. As stated before once I get it back I will post a few photo's unless my daughter has a few of me actually playing it. I will see. I mentioned the pickups before because they seem unbalanced where if I strike really hard its very distorted like and even clips my bass head preamp wonder if the poles are too high or something. Like I said I been playing the hell out of it for 8 or 9 years so probably in need of a tune up.

Jack D.

Jack!....good news. Not sure how often you go on to YouTube.com
But LOTS of video instruction on there (for even beginners) on how to do basic setups on your bass. There is also a suggested guide for Wals on the measurements of the stuff you will be watching how to do on the vids.
I will see if I can dig up the Wal info....But imagine Jose will beat me to it. Lol
 
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Jack!....good news. Not sure how often you go on to YouTube.com
But LOTS of video instruction on there (for even beginners) on how to do basic setups on your bass. There is also a suggested guide for Wals on the measurements of the stuff you will be watching how to do on the vids.
I will see if I can dig up the Wal info....But imagine Jose will beat me to it. Lol
Hello TMB can you by chance put up a link of such video you are talking about or what do I type in the search bar? thanks again.

Jack D.
 
Jack!....good news. Not sure how often you go on to YouTube.com
But LOTS of video instruction on there (for even beginners) on how to do basic setups on your bass. There is also a suggested guide for Wals on the measurements of the stuff you will be watching how to do on the vids.
I will see if I can dig up the Wal info....But imagine Jose will beat me to it. Lol

Paul H@electricwood said:
The setting up of basses can be very different from player to player but we
do have some starting points/guidelines that may help you:

Neck relief - measured by fretting at both the 1st and 21st frets to create
a straight edge with the string - you may want to use a capo to hold the 1st
fret down to help you with this. Relief can now be checked by looking at
the gap between the top of the 8th fret and the bottom of the string on both
the E and G strings - anywhere from 0.3mm(business card thickness) to
0.8mm(credit card thickness) approx is acceptable depending on your
preference.

Nut height - this will be affected by the neck relief but should ideally be
as low as possible without buzzing when playing the open string. Compare the
string height over the 1st fret when played open with the height above the
2nd fret when fretting the 1st fret. It should be just very slightly higher.
If the nut is too high, it will not only feel harder to play but also not
play in tune. If too low it will rattle when playing open strings.

String height(action) - if both the above are set, the final action can now
be set. This is measured from the top of the 12th fret to the bottom of the
E and G strings. An low to medium action would measure 2mm-2.6mm on the E
string and 1.6mm-2.1mm on the G string approx. The action should taper from
E to G so as the strings get lighter to action becomes slightly lower.

Pickup heights - individual pole pieces for the E and G strings should be
set just proud of the pickup cover. The A and D string pole pieces slightly
higher to follow the camber of the strings you have set. The overall pickup
heights are measured whilst holding down(fretting) the E and G strings at
the 21fret. The distance between the top of the pickup pole piece and the
bottom of the string should be 6mm on the E string and 5.5mm on the G string
approx.

Raising the pole piece height will not only increase the volume of that
particular string but also give a more compressed darker sound - lowering
gives a brighter more open sound with less volume.

All the adjustments above affect each other plus fret condition and of
course playing style need to be taken into account so some experimentation
may be needed. Hope the info helps and let me know how you get on.
 
OK I will try that too but where is that located on a Wal bass? Please do not tell me that is a scientific term for a volume knob please lol.

Jack D.

#5 mr. JD

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One thing to be aware of on the mini trim pots; sometimes Pete used whatever he got shipped to him, so some basses will have trim pots that turn the opposite direction from the pictured description above. Some turn clockwise, some counterclockwise.
And some basses (pre about 85/86) only have mini trim pots 4 and 5. No trim pot 3 - the low end roll off...
 
And some basses (pre about 85/86) only have mini trim pots 4 and 5. No trim pot 3 - the low end roll off...

I had been trying to pinpoint the month or two that Ian changed from the 2-trim to 4-trim circuit board. Since the change was put in place because of the 5 string basses (which have a different amount of pins going into the board, sooo?), Both Rob Burns' Dec '85 and my Feb '86 5 stringers are very early pre-production/prototype and have 2-trim 1985 preamps.
I've had a Mar 86 4 string here that also was a 2-trim, and I also had an Oct 86 4 string that was a 4-trim. The only two other 1986 5 strings I've seen and I saved pics of; one was June and still had a 2-trim and a Sept that had a 4-trim. 1986 5 strings are difficult to find for reference, official launch date being March 86 so probably not many ordered, so best I can figure is the circuit board change to 4-trim happened at the end of summer '86.
 
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Little exchange on another forum thread here... :D

Last time I tried out a buddy's six, it felt like I was playing a surfboard.

I think I need to try one out again.
Many, many moons ago I took my bass into the Wal workshop to get it serviced. Pete Stevens said he'd just do it there and then if I was willing to wait. He was just about to launch Wal's first ever 6-string model so he ushered me into another room in the workshop where the finished basses were kept, sat me down next to the signature amp that Jonas Hellborg had given him and handed me a very early 6-string model that had recently been finished, saying "Here have a tinkle on this while you're waiting."

Needless to say it was amazing but, to me as a resolute 4 string player the neck was IMMENSE! When he'd finished I commented on this to him and he said, "Yeah, folks seem to like it like that but it does worry me." "Oh yes? Why? Concerned it might not be stable?" "No, we're on the flight path to Heathrow here and I'm always worried that a jumbo jet's going to mistake it for the runway and try to land on it!" Aw, I do miss old Pete!