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Wal Bass Club.

Here's a little story I can share with my Wal brothers & sisters, sacrilegious though it may seem (at first).

I've become truly enamored of Dingwall basses lately and over the last two years they've more or less become my default. However, I'm currently working on a project with a *loud* guitarist who is doing the Firebird/multi-Marshall-stack thing and I found that I needed a hair more aggression. It's been a while since I've used a Wal outside of the studio, so I decided to give the MkIII a shot. Was that ever the right choice! Say what you will, but when you need a fat, articulate and aggressive sound there are few substitutes for that thing Wal does so well.

I found a few clips featuring the bassist from the Memphis band Sammy's Good Eye circa 2001 (who used to frequent the original Wal forums). Everyone asks "what does a Wal sound like" or "please post sound clips", so here are a few featuring his MkII:

Down Again
Brand New Fool
Super
 
Could I get a number please? I applied a few weeks ago, but never got a number:

WalW3850.jpg


W3850, a lefty that formerly belonged to Steve Chesney.
 
Been milling over the idea of ordering one direct and had a question for anyone that got one recently from Paul in the US.

My last email from him he states:

"All import taxes/duties would be your responsibility.
Shipping costs would be added to the price of your order."

Just wanted to see a round about price this would add to cost if taxes/duties need to be added.
 
kulit17 said:
Been milling over the idea of ordering one direct and had a question for anyone that got one recently from Paul in the US.

My last email from him he states:

"All import taxes/duties would be your responsibility.
Shipping costs would be added to the price of your order."

Just wanted to see a round about price this would add to cost if taxes/duties need to be added.

Or, you can buy mime and help me out :)

Link in sig...
 
I propose a trade. You give me the fretless four, and in return you get the satisfaction of making someone very very happy.

Although it's a worthy offer, that fretless is not up for grabs: it's extremely unique even by Wal standards (plus, it's the best-sounding fretless I've ever played!) - and I've sworn to its previous owner that *IF* I ever sell, he has the right of first refusal.

But fair play for picking the best of all my Wals for your proposal (proposition?)!

Brendan
 
Erkindanger! said:
Although it's a worthy offer, that fretless is not up for grabs: it's extremely unique even by Wal standards (plus, it's the best-sounding fretless I've ever played!) - and I've sworn to its previous owner that *IF* I ever sell, he has the right of first refusal.

But fair play for picking the best of all my Wals for your proposal (proposition?)!

Brendan

What's unique about the fretless 4?
 
What's unique about the fretless 4?

There are several things that make it different from a typical Mk 1. First, it's a transitional model made in September '81, so it has the Mk 1 headstock shape, but with the "Custom Bass" logo at the top, and a Pro Bass serial number (P.B. 1656); it's also got a rare multi-lam body - meaning it has two extra laminates sandwiched between the core and the front & back facings.

But the most interesting thing about the bass is the wood combination: flamed cherry facings, and an (extremely dark) rosewood fingerboard. As far as I'm aware, Wal only made two of these; the other was a lined fretless that was built at the same time, and was the first Wal owned by Mick Karn. The body composition is (I believe), from front to back: flamed cherry top; rosewood veneer; maple veneer; mahogany core; maple veneer; rosewood veneer; flamed cherry back.

Here is a pic of Mick's cherry Wal.

Brendan
 

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