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Warmoth Owners Club!!

I have a bubinga neck with a wenge fretboard on it, and I really like that combination. Silky smooth and tough as nails. I'd recommend it to you, as I think the bubinga would really match nicely with that body, but I don't think Warmoth offers bubinga any more.

Bubinga is also a great choice! But I don't see either bubinga or canary in the neck builder options on their website. It might be worth calling Warmoth to see if they have enough on hand.
 
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Thanks everybody!
I don't want to get into the whole tonewoods debate but I think even Warmoth's own blind test video found there was some difference.
Annoyingly, it seems that canary bass necks aren't being offered at the moment. Anyone know why?
I was thinking of getting a paddle head neck and cutting to a slightly more modern headstock shape but apparently wenge is quite hard to work because it is brittle.
Anyway, thanks all for your ideas and recommendations. I'll post on here once I've got it built.
 
Bubinga is also a great choice! But I don't see either bubinga or canary in the neck builder options on their website. It might be worth calling Warmoth to see if they have enough on hand.
Annoyingly, it seems that canary bass necks aren't being offered at the moment. Anyone know why?
Good point, @tubby.twins. They might not offer it and therefore don't order any more of it, but that doesn't mean they don't have a bit left that hasn't been used yet. It's worth calling to find out.
 
So I have a question for you all. I bought the attached body in the showcase a few months back but don’t have a neck for it yet.

My feeling was that it would look better with a darker fingerboard, so I planned on just doing maple neck plus rosewood fingerboard, probably with pearloid blocks or MOP dots.

However, I’ve started to think about the possibility of a wenge neck. I don’t have any instruments with a wenge neck at the moment, but have enjoyed playing Warwicks that had them, so that is a plus for wenge. The fact that it doesn’t need a finish is another point in its favour. The bass will only have a bridge pickup since that’s what I tend to use and I didn’t want to take away too much of that beautiful top. I tend to roll off some of the treble as it is, so I don’t want anything that will make it too bright, which is why I wasn’t considering ebony.

Basically, my question is this: what would you do?

a) Maple with rosewood (the traditional choice)
b) Maple with wenge fb
c) Wenge neck and fingerboard
d) Something else?

bonus question: binding?

Thoughts/ideas appreciated

View attachment 5430533 View attachment 5430542
Maple maple a la Sadowsky...black hardware
 
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This is my Warmoth build from a few months ago.
Dinky Jazz swamp ash body
dyed and finished by me. Pictures look very blue, but it's actually a dark turquoise.
Wenge neck with rosewood fretboard and azurite malachite inlay dots.
Pickups are EMG 35TWX.
Hipshot Ultralight tuning machines and Kickass bridge.
It's not as flashy as most of the Warmoth builds I see on here but it is absolutely fantastic.
 

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This is my Warmoth build from a few months ago.
Dinky Jazz swamp ash body
dyed and finished by me. Pictures look very blue, but it's actually a dark turquoise.
Wenge neck with rosewood fretboard and azurite malachite inlay dots.
Pickups are EMG 35TWX.
Hipshot Ultralight tuning machines and Kickass bridge.
It's not as flashy as most of the Warmoth builds I see on here but it is absolutely fantastic.

Looks awesome.
 
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Does anyone know of any builders that make necks to fit a short/medium scale warmoth body (2.25 inch neck pocket I think)?

my warmoth medium scale jazz isn’t getting any love because I don’t like the neck. The shorter scale length with the jazz bass nut creates (what I think to be) too much taper. I’d like something wider at the nut but they don’t offer that
 
Here is a Warmoth fretless that I built last year.
* Warmoth swamp ash body with quilted maple top, transparent turquoise polyurethane finish
* Warmoth birds eye maple neck with ebony fingerboard, graphite reinforcement rods, GraphTek Tusq nut, and Mother of Pearl side dots
* Hipshot Ultralite tuners and string retainer
* Custom headstock decals
* Neck finished with satin polyurethane on back, gloss polyurethane on headstock face
* Fender MIM standard plate bridge
* Custom neck plate (photo in Hawaii by me)
* Fender Custom Shop 60s pickups
* CTS 250K pots, Switchcraft output jack
* D'Addario strap pins
Warmoth did the body finish, and I finished the neck. It sounds and plays great!
upload_2024-5-21_13-43-42.jpeg
upload_2024-5-21_13-43-50.jpeg


Here is the build thread if you're interested:
https://www.talkbass.com/threads/sbo-2023-the-ocean-assembly-build.1614611/
 
Does anyone know of any builders that make necks to fit a short/medium scale warmoth body (2.25 inch neck pocket I think)?

my warmoth medium scale jazz isn’t getting any love because I don’t like the neck. The shorter scale length with the jazz bass nut creates (what I think to be) too much taper. I’d like something wider at the nut but they don’t offer that

any thoughts on this? ☝️
 
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Does anyone know of any builders that make necks to fit a short/medium scale warmoth body (2.25 inch neck pocket I think)?

my warmoth medium scale jazz isn’t getting any love because I don’t like the neck. The shorter scale length with the jazz bass nut creates (what I think to be) too much taper. I’d like something wider at the nut but they don’t offer that
My guess is no.

If you don't necessarily need a short or medium scale, you could try a vintage Peavey neck. The 21 fret, 34" scale translates into the same body length as the Warmoth short/medium scale. And the pockets match well too.

You might also consider commissioning a custom build.
 
WOW!!!! The Final Frontier!
Thanks!
It's been amusing bringing it back to the UK. Perhaps this is a generalisation but with a finish like holo flake, I feel like in the US it's just like "hell yeah!" and people intuitively get it. In the UK it's almost like it's a bit ostentatious. One setup guy was like "well at least no one's going to steal it" which is a very British indirect way of saying it's too much. And then at a different music store where it was Plek'ed (and the guys working there are really nice actually), it was referred to as "that Warmoth bass with the sort of sparkly finish" as if some aliens had left it here or something :laugh::D
 
Anybody had any experience with all-Rosewood necks from Warmoth?
I have one and it’s fantastic! It won’t be staying on the Bisonic P build seen in the pic. But, I wanted to hear what the bass was going to sound like, and mounted the rosewood neck.
 

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