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WBO 23 - Certandan Deep Strings

"Certandan" means: from the province of Certando. More on this and other provinces later.

In the novel Tigana by Guy Gavriel Kay, a bass instrument is mentioned with the name Certandan Deep Strings. Since I'm both a Tigana nerd and a bassist I want to build it. The book doesn't give an actual description of the instrument, so I have to go by bits and pieces of information scattered throughout the book. Information on the music, on the bands that use the instrument, the musicians, and last but not least the province whose inhabitants invented it. This is still far too little information, but it gives me a starting point to imagine my own version of the instrument. This is of course very speculative, and hopefully very nerdy.

All of this makes for a long-winded explanation, which I propose to give in the next post. I do not yet have my wood pile in order, so those photos will follow later.

Lastly, if you happen to know Tigana you may disagree with me on some points, and that's fine. I'm not a scholar of English Literature, I'm just a fan with his own imagination.

Enjoy!
 
(I'm not summarizing the book here, I'll just give background for the choices I made.)

Tigana
is set on an unnamed earth-like planet. Technology is at about 17th-century level. The action takes place on a peninsula on which there are nine provinces. These provinces have a common culture and would like to think of themselves as one country, but in practice they are more inclined to vie with each other than to collaborate. This lack of unity has enabled foreign powers to invade and conquer the peninsula; in the main storyline, the main characters are on a quest to encourage a sense of unity in people, in order to ultimately oust the tyrants and maybe even become a real country.

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Music in the peninsula in some ways resembles our jazz: it seems to consist mostly of "standards" that every musician knows, and that can be performed by any combination of singers and/or instrumentalists. One band is described in some detail, a group of nine people that travels the whole peninsula and performs for a living.
Here's the lineup of that band. I cannot resist giving all the member's names. Per the author's request all names are to be pronounced the Italian way.

- Two dancers, Aldine and Nieri. Both are young women. The dance is designed to evoke a certain atmosphere and is an integral part of the performance.
- Three singers: Catriana (soprano), Devin (tenor), and Menico (bass). They each sing both lead and backing vocals. Menico is the bandleader.
- Four instrumentalists. Drenio and Pieve (syrenya), Alessan (Tregean Pipes), and Eghano (Senzian Drums and Certandan Deep Strings).

As for these instruments:
A syrenya is a stringed instrument. The number of strings is not mentioned, but at one point in the book a child is given "a scaled-down syrenya with three strings", so I assume a normal syrenya must have at least four. I imagine this instrument as resembling the five string Mexican Vihuela.
The Tregean Pipes (from the province of Tregea) are a kind of bagpipe. It is not clear to me whether this has any drone pipes, but it is described as playing melodies and counter-melodies and pitched rather high. So probably no drones.
The Senzian Drums (from Senzio) are a set of two drums built as a unity. I imagine them to be like our timpani, tuned to two definite pitches, but I have no evidence for that.

Since the Senzian Drums and the Certandan Deep Strings are played by the same player, presumably not at the same time, I feel they must sound sufficiently different to warrant having both of them. Especially since they would probably take quite some space during long horse-and-cart travels. This has given me the idea that the Deep Strings must be bowed, as that gives them a clearly different character from the Drums.

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Although the nine provinces have a shared culture, every province has its own character, dialects, products, and so on. A province can be known for a musical instrument, but also for a specific kind of wine, cheese, sculpture, or architectural style. They all have their own things. One strongly unifying element is the official religion, practiced by everyone.

For those who are curious about such things, here are the names of the provinces. They too have to be pronounced the Italian way. Roughly from the northeast to the southwest:
Senzio, Astibar, Chiara, Asoli, Ferraut, Tregea, Certando, Corte, Tigana. All nine have a capital of the same name.

As for the province of Certando, I find it rather mysterious. To me it has an "ancient" feel about it. As if old things that are outdated elsewhere are still present here. It even has a religion that's older than the official one, which is practiced in utter secrecy.
To me, then, it is no surprise that the "Deep" instrument is from here. I imagine it, not like a double bass which is basically a melodic instrument, but more of an evocative thing that with its long-drawn sounds summons ancient spirits. Therefore it willl not be capable of playing melody, and it will make extensive use of overtones.
The absence of drones in the Tregean Pipes would give space for use of these overtones in the band.

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To sum up: I have based my plan on far too little information, and filled all the gaps with my own imagination. If anyone else ever decides to build the Certandan Deep Strings, or has already done so, it will be a completely different instrument. And I think that's fine.
 
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In case it wasn't clear: I'm entering this build into the Scratchbuild category. Both strings have a thickness of 154.

IMG_20221222_123748.jpg


From left to right: two Gut-a-Like Vintage strings, Shadow bridge pickup, two machine heads, two hanks of bowhair. The big black thing is a piece of leather that once was a couch. I'm going to try using it as a soundboard, more or less like a banjo. (Or Banjozilla.)

The pickup is, of course, a very un-Certandan modern invention.

You'll see my wood when I have it.
 
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Oh this is deffinitely intresting! Any drawings or blueprints yet?

When I got to the point of two strings and a leather soundboard I remembered an instrument invented by some turkish guy that was going around youtube/facebook some years ago that was sort of like an EUB with two drumheads conected to the bridge via two long saggy springs that gave the sound a huge kind of modulated reverb. If I had to think of an instrument capable of summoning ancient spirits, that would be it. Sadly, I don't remember the name of the instrument or the builder.
 
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At first, I pictured the soundbox as an irregular pyramid with the top cut off. The sides would be some weird quadrilateral shapes. All very angular. Totally doable if built from sheets of wood.

But I also want to use leather for the front, and I think that won't work with the quadrilaterals, because if you pull the leather taut over corners, the tension in the leather becomes irregular and it will probably tear. Leather and similar materials are best tensioned over a circular shape so you have the same amount of tension everywhere. Think drums, banjo etc.

But I'm not feeling the circular shape. I cannot imagine it as a part of Certandan culture. I considered just building the pyramid without the leather, but I didn't want to give up on the leather so easily. I felt I'd gotten stuck.

Then today I got the idea of making an ellipse instead of a circle. And as soon as my mind's eye saw this, I knew I'd found it! I can totally picture the people of Certando developing an elliptic looking instrument. And this shape will not put a too irregular strain on the leather like an angular shape will, at least I hope so.

To give you an idea: imagine this illustration but without the horizontal line, and with the vertical line turned into a long neck that runs through the body and also serves as a foot. That's what my Deep Strings will look like.

OIP.2Rrsj0EUHuv8qwUJfWAKswHaHV
 
I’m imagining a neck through, oval soundboard, low octave string instrument almost like the bajozilla that @Bruce Johnson built, but different, a high bridge to facilitate bowing and with a totally different aesthetic.
cool.
Are you building a matching bow to go with it? Be careful. I’m finding bow building and the idea of bowing my bass to be addictive. Reading about it as well. And I have never bowed anything. Unless you count making bad sounds on my daughters violins.
 
I’m imagining a neck through, oval soundboard, low octave string instrument almost like the bajozilla that @Bruce Johnson built, but different, a high bridge to facilitate bowing and with a totally different aesthetic.
cool.
Are you building a matching bow to go with it? Be careful. I’m finding bow building and the idea of bowing my bass to be addictive. Reading about it as well. And I have never bowed anything. Unless you count making bad sounds on my daughters violins.
As I'm learning with my EUB, bowing a bass is playing 2 instruments simultaneously. If you're good at patting your head and rubbing your belly, you've got the idea.

And yah... it's addictive...

I was envisioning something like this:
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Or one of the instruments the Hu play...

Tovshuur - Wikipedia
 
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Are you building a matching bow to go with it? Be careful. I’m finding bow building and the idea of bowing my bass to be addictive. Reading about it as well. And I have never bowed anything. Unless you count making bad sounds on my daughters violins.

I agree. I own two nice old Kay uprights, and I've only done a little bit of experimental bowing on them. Bowing requires more skill and practice than it first appears. It turns an upright bass into a whole different instrument.

I have actually tried bowing Banjozilla. I'm not sure if it was making Banjozilla angry or just bringing out his inner self. It was rather scary.