I built a little Heathkit AM radio in like '68 that I kept glued to my head right up to high school.
I hope you are not speaking literally. If you are, we want pics!
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I built a little Heathkit AM radio in like '68 that I kept glued to my head right up to high school.
Heathkit was kind of like a paint by numbers in the electronics realm. Their stuff wasn't bad, but wasn't top notch either. My dad gave me a Heath shortwave radio kit when I was around 10 years old. I still have it, and it's not an overly sensitive receiver, but I had fun with it when I was a kid.
Those old Macintosh amps are highly collectible even when they've been modified.My first "rig" was a Macintosh hi-fi amp, part of a tandem used to power some Paul Klipsch (not Klipschorn) stereo speakers. Probably no more than twenty-five watts, but it sure seemed loud at the time.
I still have all of these. I'm keeping the Bogder and its cab, although the cab likely will never leave my house prior to my death. The Macs need a new home. @agedhorse , are you paying attention?
I have been having a lot of fun reading about the different amps and cabs people are using and it made me remember something I had long forgotten. My very first rig was a Heathkit that I spent all my summer savings on and built myself around 1969. I played it for about 6 months and then it was stolen.
Does anyone else remember those amps? I really liked it. Of course it was my very first and I did not know anything at all...

My dad was working on an old MacIntosh amp a few years ago, and he asked me to find a schematic for it. It was a transistor AB output, but MacIntosh hung an output transformer on the output. I really didn't see the point of adding a distortion producing component like a transformer, when the output was capable of driving a low impedance speaker load without it.Those old Macintosh amps are highly collectible even when they've been modified.
I saw a Frank Zappa concert in my city, he had the entire stage set up with Road amps. This was two days or so before Bongo Fury was recorded.
I built a little Heathkit AM radio in like '68 that I kept glued to my head right up to high school.
My first decent bass amp is one I don't think I ever saw anyone else playing, a Yamaha B100 with 215 cabinet that I bought in '75, iirc, and took with me on the move to California. It took up just about all the space available in the car. But it sounded pretty good and was loud enough for anything I'd want to take on at the time. Some years ago my keyboard player was cleaning out his gear closet, and now I have another one in storage, sentimental I guess. (Not the cab, though, I'm long since through schlepping a fridge around.)
With distortion circuit!
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As a young boy I played my bass on my fathers 1959 Supro 1624T Dual Tone Vintage Valco USA 1x12 Tube Amplifier.
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Cerwin-Vega BG-250. I bought one of these pigs in the mid '70s. It sounded ok but proved to be an unreliable pos for the most part. I grew to hate it and eventually just dumpsterized it.
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Apparently Rickenbacker made a bass amp (although I have never seen one in person). Traynors have been popular up here in Canada, although I don't know how often they turn up in the US. I hade a Mono Bloc with the parametric EQ at one time. Now I have 2 of their combos, a 500 watt head and a 2 x 10 bass cab.
Apparently Rickenbacker made a bass amp (although I have never seen one in person). Traynors have been popular up here in Canada, although I don't know how often they turn up in the US. I hade a Mono Bloc with the parametric EQ at one time. Now I have 2 of their combos, a 500 watt head and a 2 x 10 bass cab.
Standells were good as I remember. PS I may have your bass!I loved my Standell Artist 30 rig, which I got in 1969. Very rare indeed. The head was a 2 channel preamp, the cabs were 150 watt powered 2x15's that you could cascade off the preamp to your heart's desire. There was also a guitar version with reverb and I think tremolo in the preamp, and 2x12 powered cabs. This is my 3 cab rig, so 6x15's, 450 watts. I got this after a couple of weeks of shoot outs with an Acoustic 361 stack with two cabs, and I personally much preferred the direct-firing 15's to the folded 18's in the Acoustic rig. View attachment 4637880
My first bass head was a Road 220 Bass. I bought it for $150 off ebay and it was a beast. It had a weird setup: I believe you could switch between two EQ sections, and maybe also an effects channel? You needed a footswitch to take advantage of this feature which I never got around to before selling it. I couldn't find much information on it because the name is very hard to Google but apparently they were the first amps that KISS used.
(pic taken from Reverb, but this what mine looked like).
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Those were desiged/manufactered by Bud Ross, of Kustom/Kasino fame. His take on providing gear that would withstand the rigors of touring, the speaker cabs looked like roadcases themselves, an idea not lost on Mesa Boogie. Ironically, I would see more country bands than rock use them, so they were known.I saw a Frank Zappa concert in my city, he had the entire stage set up with Road amps. This was two days or so before Bongo Fury was recorded.
**EDIT: Mine was the 440 version"My first bass head was a Road 220 Bass. I bought it for $150 off ebay and it was a beast. It had a weird setup: I believe you could switch between two EQ sections, and maybe also an effects channel? You needed a footswitch to take advantage of this feature which I never got around to before selling it. I couldn't find much information on it because the name is very hard to Google but apparently they were the first amps that KISS used.
(pic taken from Reverb, but this what mine looked like).
View attachment 4637841
That wasn't a Fender, it was a Yamaha. They made two or three amps with speakers that were "shaped like an ear" (which makes no sense at all). The "cone" of the speaker was some sort of white foam material. Very odd. A friend of mine played his Yamaha combo organ through one, and it sounded pretty darn good! Two channels, reverb and tremolo, plenty loud to play in a small band setting.
Beats the heck out of me. I had an EB-0 and a Sunn 118MH folded horn too. I doubt there was much *sparkle* to my sound. Memory is a bit hazy .......How did you manage to make it sound OK?