Gotcha, Like Hot Tuna.Crap means it's forgotten about 5 years later.
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Gotcha, Like Hot Tuna.Crap means it's forgotten about 5 years later.
Well..
Much as i like Billie, Van Halen turned the world upside down....they had it all, a ground breaking guitarist, a frontman that owned the stage, a bassist with outstanding vocal harmonies, a drummer that got sampled by rappers.....its not even close.
Im seeing very few really good front men (or front women) in music...even Prince admired David Lee Roth and Michael Jackson latched onto EVH....sure a million imitators came along in the 80's but i saw VH 3 times in 78...it was out of this world and the fact i see very young kids in GC and music stores wearing VH shirts says something.
Not sure this is as telling as you seem to think it is.Really? Let's look:
Top Billboard Hot 100 hits of the 1960s
Billboard Year-End Hot 100 singles of 2010.
- " The Twist," Chubby Checker. ...
- " Hey Jude," The Beatles. ...
- " The Theme From 'A Summer Place,'" Percy Faith And His Orchestra. ...
- " Tossin' And Turnin,'" Bobby Lewis. ...
- " I Want To Hold Your Hand," The Beatles. ...
- " I'm A Believer," The Monkees. ...
No. Title Artist(s)
1 "Tik Tok" Kesha
2 "Need You Now" Lady Antebellum
3 "Hey, Soul Sister" Train
4 "California Gurls" Katy Perry featuring Snoop Dogg
Which billboard chart artist are still relevant and listened to nowadays?
Or....you can like SOME of their stuff and dislike OTHER stuff.
Guys at Motown were recording up to 4 songs per session and did from 2 to 4 sessions per day. And it's not like these al these songs were very original either. Paul McCartney and John Lennon used to write very fast too. Paul McCartney Recalls 'Writing Fast' With John LennonThe market being saturated means nothing, artists worth a damn are still a rare breed no matter how much you saturate a market, bad's still bad. The difference is back in the 60s and 70s it didn't take 15 minutes on Fruityloops to make a song it then take you days/weeks/months of advertising and marketing on YouTube to make popular, because listeners had some damn sense and didn't buy into anything that wasn't innovative and didn't raise heads whenever it got played.
Guys at Motown were recording up to 4 songs per session and did from 2 to 4 sessions per day. And it's not like these al these songs were very original either. Paul McCartney and John Lennon used to write very fast too. Paul McCartney Recalls 'Writing Fast' With John Lennon
I think there's some truth in that, I don't have an ear for electronic productions ... I usually want to hear more ooomph than I find in those, more of the human element. Yeah, the old music industry model ist kaput, and there are no gatekeepers ... which is both good and bad. Good, because there are no gatekeepers. Less good in the sense that there's not the same focus that there used to be for public consumption of new music. For example, when the Beatles played Ed Sullivan, historic numbers of people were tuned in all across the country. I literally can't count the number of major musicians who cite that single event as the initial inspiration for their musical pursuits. Me too. That kind of platform just doesn't exist today, one reason a Beatles type phenomenon seems unlikely to happen again. But it is what it is,there's still good stuff out there. I encounter much less stuff that lights me up now ... but then, I'm probably not the target audience, and I don't have access to some of it anyway (another difference nowadays).
Not sure this is as telling as you seem to think it is.
I think too, the amount of music that gets released every second to our devices at the volumes it does, gives no one a chance to explore it or enjoy it.
Remember when you had to wait for your favorite artist to release a new track. You had to hear it on the radio, remember thoseOr comb the record stores, remember those
for the latest cuts.
It was a process that took time. Time to descover, time to listen, time to enjoy. And because of the time involved, people were invested in the art of listen to music. It was a ritual like enjoying a good meal. Now music is like McDonald's, a lot have been served but the memory of it passes after the last bite.
There's a lot of good music out there, you just have to wade through a lot of it to find what you like.
Of course, IMHO...
There's no need to put up a boundary around new or old music, and no need to 'prove' one is better than the other - what a weird thing to want to do.
I think you mean the Beatles. Last I checked, the demographic for the Beatles was 50+. So yeah, maybe there are millions of people 50+ who still listen to the Beatles (me included), but that doesn't mean it proves anything you are thinking it does.Well, there's one where the majority are still listened to by millions in 2022, there's another that, well... aren't.
I think you mean the Beatles. Last I checked, the demographic for the Beatles was 50+. So yeah, maybe there are millions of people 50+ who still listen to the Beatles (me included), but that doesn't mean it proves anything you are thinking it does.
In those days it was about anonymous session musicians (sometimes), and investing huge amounts of money in promotion and paying for tours, and a bit of payola here and there. And a quick look at single/album charts from the 60s/70s will contradict your idea that listeners had more sense than they do now.If it's some stranger on the internet, sure.
The market being saturated means nothing, artists worth a damn are still a rare breed no matter how much you saturate a market, bad's still bad. The difference is back in the 60s and 70s it didn't take 15 minutes on Fruityloops to make a song it then take you days/weeks/months of advertising and marketing on YouTube to make popular, because listeners had some damn sense and didn't buy into anything that wasn't innovative and didn't raise heads whenever it got played.
Haha just messing around. There's no good and bad if someone likes it.Haha, point taken![]()
In those days it was about anonymous session musicians (sometimes), and investing huge amounts of money in promotion and paying for tours, and a bit of payola here and there. And a quick look at single/album charts from the 60s/70s will contradict your idea that listeners had more sense than they do now.
Mmm, still going on that, eh? You've gone beyond quoting freely, onto misrepresenting what was said.