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What 5-String Should I Try?

Been playing for about 10 years. In a little bit of a music lull right now - just playing at church a couple times per month. I have a full-time (non music) career and will likely only play music on the side randomly from here on out.

My current basses are:
MiM Fender Jazz (4-string)
Cort A5 (5-string)
EBMM Stingray (4-H)

I'm looking for another 5-string to compliment my current basses. Given the style(s) I usually find myself playing, I've found fewer uses for the 'Ray these days. It was great for my 3-guitar rock band, but these days it doesn't get much love. I prefer a 5-string about 75% of the time, and will occasionally bust out one of the 4-strings depending on the setlist. I feel like I have plenty of tonal options between the 'Ray and the J, but I'd like a similar range of sounds in 5-string configuration.

So....what are some good 5-stringers to compliment my Cort? I'd probably prefer something with a bolt-on neck, and probably something passive, but I'm not limiting myself to just that setup. Price range is probably in the $1,000 - $1,500 range ($1,500+ if I sell the Stingray).

I've considered a few Lakland models, but some of them come with the exact same MK-1 pickups / pre that my Cort has. The DJ-5 looks pretty cool, and *might* sound more like my Fender (just guessing...). My best music store options are (sadly) GC and a few small shops, but none of them have nice gear really. Its super tough to find good stuff around here.

Thoughts?
I've had a lot and my main player these days is a stingray 5H. I'd give it a shot, if it's too expensive check out the sterling by musicman Ray 35. I had the ray34cafl and was shocked at how good of a value it was but sold it because it was fretless
 
Get a 5 that plays easily for you and has a B like a piano. (I hear the difference between 34 and 35) I had a problem finding a scale I liked, Ibanez and close spacing was/is unplayable and wide spacing that I've experienced on Jazzes and Ibanez BTB were uncomfortable and daunting, then I found Lakeland 5502, it was perfect, like a jazz 4 with less taper, or like a slender Rick neck--but with 5 strings, subsequently, one of the G&L necks and the standard Tribune neck is the same too, someone here knows the measurements I'm sure. I have a Korean Raven West thing that has that scale too and I played a top of the line Tobias that was Very Easy to play. It's still a 4 but with C# and D, and Eb yeah
 
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That Roscoe Beck has my interest. Where are these things found for sale, though?

Classifieds here on TB are best bet - I'd guess they show up 10-12 times a year. Ebay. Maybe Craigslist in Oklahoma City?

Looking over the rest of this thread, there is a lot of love for the Lakland Skylines. I've heard the DJ 5 in other's hands, and they sounded good in old-school settings. I've played the 55-94, and Lakland was really smart in moving the bridge towards the bottom of the axe so the difference in scale length is less obvious to your arms, but the fingers still have to deal. If you have big hands and fingers, the difference may be minimal for you - and 35" inch basses often have great B-strings, which is not always a given with 34" -inch - for example, first-generation Fender 5's are surprisingly non-happening. But I (and others) do not dig the Lakland electronics. And I have no Skyline experience, but can attest that the USA Laklands are extremely well made and highly playable.

If you dig the 35" thing and want to spend less money, try to find an MTD Grendel, which is a Michael Tobias design, built to his spec in Czechoslovakia. They pop up sometimes here and on ebay, in the $600 range. I have one I keep out of state, for occasional jams and gigs out there, strung with DR flats, and it does a great job in casual acoustic jams, jazzish stuff and in a "Gonzo Cowboy Americana" band with which I sometimes play. I use 34" at home, but really like the sound and feel of this axe (I think they also did the Lakland geometry) and given the kinds of music I'm playing when in Colorado, I don't have to be as athletic and can think more in terms of moving my entire arm to maintain a close hand position, rather than stretching fingers. It is active, with a two-band eq that works fine. There also was a passive counterpart called the Beast.



Finally, why 5-string? I do keep some fours, but almost always play five. The low notes are an obvious boon, but for me the real deal is the ability to choose fatter timbres by playing higher frets on the lower strings, and to hop onto the B string so as to maintain hand position and timbral constancy in certain chordal and root-based patterns. I don't have great technique, but got hip to Todd Johnson's "floating thumb" approach, which has helped tremendously with muting issues. And the next time you have to play a shuffle in E, relish playing the low E on the B-string's fifth fret, mute with your left hand at will, and watch your bandmates smile.
 
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Congrats Doc!!!

Knew you could not stay away for long!

To the OP..the 5502 is an extremely versatile bass... It is active but... Very good for almost all types of music... Great for a church gig.

If you must have passive a DJ5 or 5564 (p bass) would be a great choice.

I have loved DJ5s since they first came out and now I took the plunge.
 
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i like the feel of an asymmetrical neck ... ! feels a bit more like i'm still playing a 4 stringer ..

my neck are Warmoths ... deluxe j 5 ... i have both sizes , but prefer the smaller width nut .. !

the asymmetrical back of the neck is a bit thinner on the treble side , thicker on the bass ... feels good for my older arthritic hands .. ! after many decades of piano , gtr, bass ...
 
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Been playing for about 10 years. In a little bit of a music lull right now - just playing at church a couple times per month. I have a full-time (non music) career and will likely only play music on the side randomly from here on out.

My current basses are:
MiM Fender Jazz (4-string)
Cort A5 (5-string)
EBMM Stingray (4-H)

I'm looking for another 5-string to compliment my current basses. Given the style(s) I usually find myself playing, I've found fewer uses for the 'Ray these days. It was great for my 3-guitar rock band, but these days it doesn't get much love. I prefer a 5-string about 75% of the time, and will occasionally bust out one of the 4-strings depending on the setlist. I feel like I have plenty of tonal options between the 'Ray and the J, but I'd like a similar range of sounds in 5-string configuration.

So....what are some good 5-stringers to compliment my Cort? I'd probably prefer something with a bolt-on neck, and probably something passive, but I'm not limiting myself to just that setup. Price range is probably in the $1,000 - $1,500 range ($1,500+ if I sell the Stingray).

I've considered a few Lakland models, but some of them come with the exact same MK-1 pickups / pre that my Cort has. The DJ-5 looks pretty cool, and *might* sound more like my Fender (just guessing...). My best music store options are (sadly) GC and a few small shops, but none of them have nice gear really. Its super tough to find good stuff around here.

Thoughts?

As a converted 4-string player to a 5, you have a lot of options with that budget! As many of the responses have stated, there are a lot of good suggestions!

My suggestion: Go with something classic & timeless. Something that if you ever want to sell in the future you can get a good re-sale price for. Also, with your budget, you can get a killer instrument & make some really cool modifications with pickups & preamps if you sell your stingray.

1. Fender American Standard V or a used Deluxe V- Either keep it stock, or add some Lindy Fralin, Aguilar, or Seymour Duncan Qtr. Pounder pickups
2. EB MM Sterling 5 HH or Stingray 5 HH or HS. Once again, a couple of killer basses you could add a couple of Duncan Humbuckers or just keep it stock.
3. Lakland Skyline Series 55-02 is a really cool versatile bass
4. You MIGHT (and I stress 'might') be able to find a good used Sadowsky Metro 5 in the $1500 price range if someone is willing to give a really good deal. Probably looking more in the $1700-$2000 range, but that would be a killer investment.
5. LowEnd 5. Also tough to find, but I've seen a few on here in the $1500-$1700 price range.
 
If you want to save a ton of cash and get a great bass check out the Sire Marcus Miller. The guy at a church I attend has one and I checked it out yesterday. Really nicely put together and sounded fantastic when he did a solo at church of all places. I'm not a 5 stringer or a jazz fan but this was really quite impressive. Its active as well as passive. Check it out!

Yeah I'm sure the guy doing the quite impressive solo had nothing to do with it rite.. lol

Hey There's people all over you tube giving reviews on all kinds of Basses! (youtube.com)
since you're limited with music stores etc.
check out some reviews there mite helpl! in fact if I'm not mistaken (not sure) I think this site (talkbass) has a Bass review forum as well it mite be worth checking that out tool! Just keep in mind just cuz some guy sounds amazing on any instrument it doesn't mean you or me will !
Gd luck!!
 
You might want to check out the Godin Shifter Classic 5, right in your price range, would be quite different than your Cort. Excellent build, top quality components, hand crafted in Canada. Would be much closer to your J sound than the 'Ray too. I have the 4 string version, after over a year I still could not be happier with it.
 
Dingwalls have been my answer, but it isn't easy to find one under $1500, and high demand (relative to the supply) means you have to commit and be ready to act when one becomes available.

Check out the Dingwall Owners thread and see if there are any Dingwall owners local to you.
Dingwall Owners Club Part 4

A Dingwall might be perfect for you, or the feel might not agree with you -- but I think 5 minutes with the bass in your hands would definitively answer that question.
 
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I've played a Bongo and didn't care for it too much. It could have been the amp / cab I was playing through at the time, but something about the Bongo didn't really work for me. Is the string spacing tight or something? I can't remember what it was specifically, but the ergonomics weren't my favorite either. Of course, that was probably 5 or more years ago since I've played one.

The spacing is 17.5mm. I have and play 17, 17.5, 18, and 19mm spacing with no problem, but I guess some people can't do it. I doubt that it's noticeably tighter than your Cort, judging by the pictures I've seen of the Cort A5. As to the ergonomics, once you play a 3hr gig, you'll appreciate how it hangs. It's very much in keeping with Fender ergonomics, but with much better balance.

However, just cause I like it doesn't mean you have to!
 
Most important questions to me are do you like a 34" vs 35" scale (I am 34" all the way, anyone saying a 35" b is superior is biased), and do you like wider, narrow, or fender 5 type spacing. Knowing the answer on those two is pretty huge, or at least knowing you definitely don't care.

And the fender AM Jazz Dlx V, I've had some that were pretty good. The post 2010 are great. The comparison to a Sire is stretching a little to me. Although I thought the Sire was a good mid tier bass.
 
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