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But it is omni directional. Useless for amplification inWhat about this?
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It's a quarter of the price of DPA4099...
The specs on the site say it's unidirectional
I’m interested to read your review, thanks!Hi,
I ordered one today here in Europe. Will try to come back with some info when its here in a week or so.
Good morning.It has a very sturdy and well designed shock mount, goose neck, and mounting system. I'm very impressed.
I just got it today, so I haven't had time to make any audio samples yet, but I will try to soon.
I just bought one of these through Amazon for $108 shipped. Being a gear-junky, I was just curious, since it has such a low price point. I haven't gigged with it yet, just played it in my studio, but so far I have to say, it's quite amazing. It easily goes to jazz-gig level volume without feedback, and it sounds excellent.
I have used almost everything out there for double bass mics: the Remic green, DPA4099, ATM350, Ischell, EVRE20, Beta57, K&K Golden Trinity, Vektor, and probably others that I don't remember. My opinion is that this one is better than any of those the others I have tried, in sound quality and feedback-resistance. It is made in China, but it is designed in France and the build quality and design are very professional. It has a very sturdy and well designed shock mount, goose neck, and mounting system. I'm very impressed.
I just got it today, so I haven't had time to make any audio samples yet, but I will try to soon.
I found an "as new open box" BL21 on eBay that was cheap enough to take a gamble. I just completed initial testing and here's my preliminary report:
WOW! THIS IS THE WORST MIC I HAVE EVER USED. Not just the worst bass mic, I mean any mic. It distorts so horribly, especially on low notes, that it HAS to be defective.
I found an "as new open box" BL21 on eBay that was cheap enough to take a gamble. I just completed initial testing and here's my preliminary report:
WOW! THIS IS THE WORST MIC I HAVE EVER USED. Not just the worst bass mic, I mean any mic. It distorts so horribly, especially on low notes, that it HAS to be defective.
I tried various positions on the bass: close and farther away, tried both a PA mixer and recording interface, tried raising and lowing gain on the mixer and interface, tried the low cut switch on the mic itself...all the same result: harsh distortion like the mic itself is overdriving that makes it unusable. The advertised spec is it can handle SPL of 140db. I know my bass isn't that loud (if it was, I wouldn't need to mic it).
Unless someone has an "AHA!" solution I haven't thought of, I'll be returning it.