The best string is the one you like the best. Sorry I'm so unhelpful, but sometimes this is just a trial and error thing, 'till you find what works FOR YOU!
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I'm not explaining myself very well. What I mean is that many companies (not picking on DR, I really don't have any brand loyalty for strings yet - obviously) have a hex-core round wound and a round core round wound, some are stainless, some are nickel, etc. They are substantially similar technologically, so if I try one hex core nickel round and don't like it, is it worth trying other brands of the same thing? Same with round core stainless, or hex core stainless flat wounds, etc. Is there a huge difference in the same string from different brands, or do you simply find the type of string you like, and go with that?
Circle K's are the best strings, period. For any style! They sound bright and new for months too. Can't say enough about 'em.
BassBob1 said:You pretty much try strings till you find the ones you like. Then you try some more and go back to the strings you liked. At least thats how it went for me.
I think that as long as they're not snappy 40's or 35's any brand will do depending on taste.
I use Elixir 45's, and even though they're not having the best sound ever, their overall quality suits my needs. They sound like new by the time other sets would be replaced twice, sound good with fingers pick etc., their smooth feel make gliding the fingerboard much easier, and with their high tension they will not sound sloppy when you dig hard. For me the Elixir 45's win. After I got used to them I couldn't go back to any brand of strings I played before. And that's not just for rock but also R&B, Funk, Reggae and Pop in general.
But as I said before it's a matter of taste.
Nev375 said:GHS products (i've tried almost everything they offer) always let me down.
D'Addario's are my favorite of the cheap strings.
I like the sound of stainless, but I don't think they are worth the fretwear.
When I played heavier rock music I liked big steel strings that tried to launch the speakers out of my cabinet. DR Lo Riders. Tension was just right -- not too stiff, for expression, but firm enough to handle a heavy hand.
Now I play the Fender CL Flats. I must have gotten old.