My 2009 Fender Artist Geddy Lee jazz is flawless. I have zero to complain about.
My 2010 Squier Vintage Modified Fretless jazz, not so much..
The fret-line inlays were actually raised in a couple of places (creating fret buzz (on a fretless!)) and had to be sanded down. The bridge was flimsy and cheap (Rogue basses come with a better bridge, seriously), the tuners were garbage (or maybe I'm spoiled by the Geddy), the guitar was in desperate need of a setup, and for some odd reason, it shipped with roundwound strings...
Now, it's got a BadAss Bass II bridge just like the Geddy, a nice set of Fender Lights flatwounds, and I'm in the process of doing something wonderful to the neck. At some point, I'll throw a set of HipShot ultralights on the Geddy and transplant those tuners to the Squier. I'm also crafting a figured maple pickguard with a wenge bass clef inset into it for pure aesthetic purposes, and I plan to rebuild and rewind the pickups, and radius the poles. The electronics in the Squier, as well as the pickups, were really the selling point for me. I was amazed when I picked this axe up in GC and heard what came out of it. Nothing scratchy in the pots, the pups are deep, rich, and full of color, and the controls actually produce a HUGE spectrum of sound.