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What bass does Tina Weymouth use?

Google image search shows pics of her playing all the above-mentioned and also a a Fender Arrow Swinger, an EB-O and what I believe is a Les Paul Triumph bass and more.
Fender has models named after what, 38 different bassists? Why not have a Tina Weymouth model?
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Her feature profile in the 3/97 issue of Bass Player does not mention a Precision. Great, great interview btw (in an issue that also includes a mindblowing interview with Scott Thunes).
Was that when Thunes was working as a door man somewhere, got out of the music business? I remember that article. Tina used a P bass early on, but thought the neck was little big for her hands.
 
I' ve seen Tina Weimouth with MANY different basses. With Talking Heads and with the glorious Tom Tom Club. But she seemed to prefer, at least in the early days, Steinberger's L, old graphite neck and body, that weighted a tonelade, a green gray Jazz Bass and Music Man.
In an old interview in BP mag, talking about early graphite Steinberger L, she pointed that a buss could go over them and they would still be tuned. Don,t remmember if she mentioned the weight factor. I bought one and rapidly knew what a really heavy weight bass meant on your shoulder.
Today you can see Tina in lots of videos ussing an array of different basses, from old violin types to futuristic models, but she seems to be very loyal to her old Jazz Bass. ALWAYS always always she gets the right sound for the tune.
I wonder if she ever used a Precision. ¿Does anyone know?
Yes she has a Pbass that was originally sunburst but she painted it grey. She used that Pbass for their R&R Hall Of Fame Induction performance.
 
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Stop Making Sense was assembled from footage from four shows (at the same theater over a short period of time), and at one point in "Life During Wartime" Tina, who had been playing the Hofner Club, is suddenly playing the Veillette Citron. See around 2:24:



I can't help but think that those must be two very, very different sounding and playing basses, but she went back and forth between them for shows days apart. If nothing else, it suggests to me that the Talking Head-ness of what she did was not based on subtleties of gear choice.
 

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