While I hear what you're saying, even though you made it difficult
it's a disservice to say that reading sheet music will make you sound like the Prius doing whatever the hell you said it does. People on the fence about reading music will interpret that as you saying that reading sheet music on a gig will make your playing sound sterile, even if that wasn't your intent.If anyone doesn't like the way Jeff Berlin played with ABWH, it's because they don't like the way Jeff plays, not because he was reading music. Years ago I saw The Dixie Dregs when Jordan Rudess took over the keyboard duties from T. Lavitz, who had to drop out of the tour suddenly, and I believe Dave LaRue told me it was his second show with them, and he read the entire show and crushed it, both in execution and feel. And not to brag, but while I prefer not reading music onstage, there are gigs I do where it's an absolute necessity, and it's extremely rare that I don't crush the gig and have a good feel, too. I've worked with plenty of musicians who have, too. It's all about having an affinity and a respect for the music you're playing. Jeff likes Yes, but rock isn't his wheelhouse and he has been somewhat critical in the past of Chris Squire's inability to improvise (like it matters with Yes), and it shows. I thought he did a good job, especially with the short notice he had, but he got the call because he and Bruford are friends and he was the best option at the time, and I totally preferred Tony with them.
Last edited:
