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The resale will be very close to the new price. I have only seen a few pop up over at Paul's Bass Matters in Europe and they are all sold before he can even list them.
So he gets over $6500 for a jazz bass. Not impressed for that kind of dough. You could buy a used Fodera for way less than that. Or even a decent vintage 60's JB. So how is this better than a Fodera, F bass, Sadowsky, or a dozen other high priced basses. Personally for that kind of scratch I won't be buying a jazz clone that's for certain.
Not really trying to dis him personally but please tell me how your Stenback destroys all others.
Not that I'll be the least bit convinced. And I own a few multi thousand dollar basses.
I agree with every word! They are definitely worth whatever he is charging!You do have to hear them. Unlike some of the other boutique luthiers who charge exorbitant prices fordrooldrool their basses, Stenbacks are worth every penny. I’ve been playing bass for a long time and have heard, owned and obviously played a lot of basses over that time, and I can tell you that the ones that Tom Stanback is building really are something special. Just my opinion.
Very nice Fender! Fenders are my preference, but I also think the Stenbacks are great basses as well!Ok, apologies to all. I was cranky. After all I'm a charter member of the GOF club here. And I'm currently more of an Elrick and MTD, Drozd and Minnieweather fan. I have played a lot of Highend basses but certainly not all. Most of my basses are in my profile.
I've disliked warwicks and the Fbasses I've played but I'm sure all these builders build something I'd like, I haven't had the chance to play them yet. My daily drivers are a few handmade 5s, except the Fenders (all 4s) and several of them have custom mods. I haven't played an Alleva Cupolla either (high end Fender style) and they are that kind of cash, probably wonderfull as well. I'd rather track down a "special" vintage player. A Seattle bassist came in tonight with a sweet 66' P that weighed about 7lbs and sounded and felt fantastic. Or another, like my old 57' P:
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You do have to hear them. Unlike some of the other boutique luthiers who charge exorbitant prices for their basses, Stenbacks are worth every penny. I’ve been playing bass for a long time and have heard, owned and obviously played a lot of basses over that time, and I can tell you that the ones that Tom Stanback is building really are something special. Just my opinion.
So he gets over $6500 for a jazz bass. Not impressed for that kind of dough. You could buy a used Fodera for way less than that. Or even a decent vintage 60's JB. So how is this better than a Fodera, F bass, Sadowsky, or a dozen other high priced basses. Personally for that kind of scratch I won't be buying a jazz clone that's for certain.
Not really trying to dis him personally but please tell me how your Stenback destroys all others.
Not that I'll be the least bit convinced. And I own a few multi thousand dollar basses.
What pickups are in that first black bass? Nordstrand? With those (PUs) that particular bass is not a "Jazz" bass. Not that they don't sound great.