in Ontario you are stuck in 80 seat clubs with 11 bands on the bill.
That’s a good part of the problem with the way things are going with originals these days. You don’t get enough time to build the mood and atmosphere. If you’re doing something different enough your audience usually needs to be eased into it. My bands always sweated each set list and tried to arrange the songs so they created an overall arc. Not quite the “concept album” approach. But definitely FM rather than AM (those old enough will understand what that means

) and the antithesis of the “hit single” mindset that dominates the industry today.
I always took it as my band’s artistic validation when I’d see a new audience’s faces go from skeptical (or sometimes hostile) to reserving judgement, to intrigued, to finally enjoying and really into what we were doing. Ain’t nothing quite like the rush you get when you have a whole room of people out on the floor dancing to a set of songs they’ve never heard before and cheering the band between each song. If making that deep a connection with an audience isn’t better than sex at least it’s damn close and just as gratifying.
But you can’t do that with three songs, or the massive buzzkill that results from pauses for setups between bands and a totally unrelated musical vibe occurring before and after each band. Since multi band lineups are seldom themed or complimentary there’s no hope for getting a crowd into a shared vibe.
Doing originals is all about building a relationship with your fanbase. The Moody Blues get this better than any band I’ve ever seen Each concert opens up with the song
Lovely to See You Again:
Wonderful day, for passing my way.
Knock on my door and even the score with your eyes....
Lovely to see you again my friend.
Walk along with me to the next bend…
And as bassist John Lodge says at the end of each Moody Blues concert:
Thank you for joining us on our journey. Keep the faith and take care. Till next time.
This is one reason why the Moodys now have four generations of fans attending their concerts.
You can’t get that with a hit single mindset “hookup culture” attitude towards your audience. Originals bands are effectively on a voyage of discovery. You’re inviting your listeners to sign on to your band’s personal head trip. If they do it’s just a matter of logistics after that.
Or so I think anyway.