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Small hands.
Finger speed (plucking hand) while staying in rythym.Just wondering what everyone struggles with the most in bass world. Speed, theory, fills, gear?
Don't get me wrong, I'm always working on improving my technique, but for me, a relatively new player, the biggest challenge by far, has been understanding gear, effects pedals and order in the chain, especially in live situations. It almost seems like you have to be a scientist to get all your amp settings and effects pedals and levels and being heard but not being too loud all integrated well, especially in live situations.
How about y'all?
Yup, I need big necks and wide spacing myselfHuge hands can make certain things tough. I can’t really play fast on a J width neck - the strings are just too close together. As I’m working 5’ers into my gigs, the tighter string spacing on those is something I’m having to get used to.
That one's easy. Set your amp flat, and play. That sound, is your sound.Finding my sound
Everytime my volume is perfect, my drummer gets too loud, and my guitarist turns up too. Hahahaha. I can drown a fishAnd yet strangely, when my guitarist feels that I am too loud, he is the quickest to jump all over it, lol.
but my playing has improved steadily .. I just struggle with soloing .. and I practice scales and arpeggios .... and listen .. and do technique stuff to help with that .. and they are getting better.. I am a better bass player than I was last year .. so I am ok with that .. and the singing and playing.. I have accepted the fact that I may never get but so fast .. but I realize that with practice I can get a little faster tomorrow than I am today .. and I am grateful.Just wondering what everyone struggles with the most in bass world. Speed, theory, fills, gear?
Don't get me wrong, I'm always working on improving my technique, but for me, a relatively new player, the biggest challenge by far, has been understanding gear, effects pedals and order in the chain, especially in live situations. It almost seems like you have to be a scientist to get all your amp settings and effects pedals and levels and being heard but not being too loud all integrated well, especially in live situations.
How about y'all?
I think the fastest parts are only 1/8 notes. Take some time to slowly warm up. That might help with dexterity if that’s the cause. Maybe something less intense like dust in the wind?I'm always struggling with something, and seeking to learn, but the 2 most frustrating things
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We were going to cover Carry on my Wayward Son at our church, and I had to back out because I couldn't learn some of those fast parts in-time. I felt super frustrated. I just struggle playing fast.
Try closing your eyes. It helps me with that big time.When in studio, playing perfectly synchronized with the metronome.
The key is how to find or create a groove. The rest means nothing if you have Ltd feel.For me, it was and still is figuring out how to keep improving myself to become a better overall musician that serves as the bass player in a band/composition context.
I've always been very impressed with bass virtuosos who can do all sorts of amazing things that I can't (and won't ever be able to) do. However, even for these great players, the opportunity to utilize those skills has to be pretty limited.
Similarly, I am skilled enough at what I do where just playing roots or roots and fives on the beat is not satisfying.
Really, the key has been learning more about how music works (theory, chords, etc.). This is helping me strike the balance between delivering a solid bass part that others can rely on and play off while also incorporating enough challenging improvements to a standard bass line.
Trade ya.Huge hands can make certain things tough. I can’t really play fast on a J width neck - the strings are just too close together. As I’m working 5’ers into my gigs, the tighter string spacing on those is something I’m having to get used to.
One thing I put an awful lot of work in was getting eighth notes to sound exactly alike finger style. This was back when the police were big and a lot of tunes had the eight note thing going on. Zoning in keenly on Sting started me on that path. Feel, timing and decent tone should probably be your priorities. And play clean well defined notes when practicing in slow motion if necessary.I'm still new at this (playing less than a year), so the details of what feels hardest at any given time changes every couple weeks. Really, though, in the big picture, it's mostly issues of technique: working on getting pick playing to be equal to fingers, speed, details like ghost notes and hammers, just keeping everything smooth. There's so much stuff to learn—and I haven't even really started on theory. I have recently started trying to keep the gear craze to a minimum to focus on just playing. (Have only bought one pedal in 2020, yay progress!) I just don't know how you experienced folks manage to keep everything straight.
It's all good, though, the challenge is part of what makes it fun.
I got a drill attachment for that. Makes it a breeze. Before that, changing strings was a miserable painful experience. Using a drill makes the job go very quickly.Changing my strings. I do it fairly regularly but it is a chore... fo' shore!
If you have great taste, speed doesn’t matter as much. Hope that’s helpful.Speed, followed by theory.
Speed seems to be something I just can't do. I practice a lot, trying to increase my dexterity but I can't seem to crack the barrier that I'm currently at.
Theory - I've got a bit under my belt but there's so much more to learn and I can't seem to find the time.