I was one of those guys that started late..
Can't tell you how much I relate to this whole story. My lack of theory holds me back from improvising fills and soloing, but it has helped my ear training tremendously.
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I was one of those guys that started late..
Solos over fast changes can be tough for me but I’m working on it. I think the old advice about playing super slow to play fast is only a part of the solution. You also have to practice playing fast. Dynamics, pressure, plucking hand shape and position are all slightly different at faster speeds (for me anyway)...
Being a five string player, figuring out how a cat played a run on a four string using notes lower than open low "E" without drop tuning. Or....................maybe he did detune.
Like this song. How does he get that low "D" he plays........especially the riff that starts the instrumental section? I can play it on five string no problem, but how did he do that? Detuned I guess. There's other tunes like this.
The thing is the time is there. You have to make the time. Whatever level you are on you have to be serious and diligent about what you want to create and make that commitment.I couldn’t agree with this more
I've learned that if I turn my amp up about 10% louder that I think I need it forces me to play gently. Gary Willis trick. I met him once and asked about his amazing facility and how it looked so easy, with hardly any movement of his fingers. He said something like "let the amp do the work, man. Turn it up, play light."I find it challenging to stay relaxed during long sets. As the energy level rises so do the volumes and then you find yourself digging in more.
I try to make a conscious effort to just turn up a bit and keep my hands relaxed. It's a funny thing but I've noticed that if my plucking hand plucks harder my fretting hand frets harder, if that makes any sense so I try to avoid all this tightening up and just stay loose and relaxed.
Hah! I had a girl I've know for a long time, lovely young lady truly. After that many years of coming to gigs she introduced me to a friend as 'the guitar player'. I said, 'you mean bass player', she says 'what's the difference'?Explaining that it is not a guitar nor a cello.
Thanks for the advice, I'll try that next time!Try closing your eyes. It helps me with that big time.
Right hand techniques like slapping. I’m left handed and play right handed (parents bought my first bass and didn’t know there was such thing as left handed basses.) So It’s taken me a long to be even halfway decent at slapping but to be fair the trade off is certain things like switching to fretless might have actually been easier for me compared to people who play the right way because my dominant hand is on the neck.Just wondering what everyone struggles with the most in bass world. Speed, theory, fills, gear?
Don't get me wrong, I'm always working on improving my technique, but for me, a relatively new player, the biggest challenge by far, has been understanding gear, effects pedals and order in the chain, especially in live situations. It almost seems like you have to be a scientist to get all your amp settings and effects pedals and levels and being heard but not being too loud all integrated well, especially in live situations.
How about y'all?
Believe me I am committed and the time isn’t always there. I am a bass junky and feel better with it in my hands. If I didn’t have obligations and responsibilities to attend to I would have a bass in my hands. But the first ten to fifteen years I covered a lot of ground and I am comfortable with my skill set.The thing is the time is there. You have to make the time. Whatever level you are on you have to be serious and diligent about what you want to create and make that commitment.