I don't choose basses. They choose me. And once they do...it would be rude not to keep them. It's that simple.
M. M.
M. M.
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I don't choose basses. They choose me. And once they do...it would be rude not to keep them. It's that simple.
M. M.![]()
That was basically John Entwhistle's advice on collecting guitars and basses.
1- Buy them
2- Don't Sell them.
Once I realize I was born a P man and will die a P man...and stop rotating other basses in and keep the P I have. Jazzes are fun, gibsons are interesting, but Ps are home for me.
Once I realize I was born a P man and will die a P man...and stop rotating other basses in and keep the P I have. Jazzes are fun, gibsons are interesting, but Ps are home for me.
For me, the experience has been like this:
Every time I play this bass, at practice or a gig, it makes me even happier than the last time I played it. And that's really a fantastic feeling.
A bass that just continues to make you happy is a keeper. Whether it's a Squier or a Fodera, that doesn't matter. What matters is, it makes you feel good to play it. You can't imagine playing bass without it. Sure, you may have 10 like that... or 100!
But if they are basses that attach themselves to you... if you can afford to keep them and just want to keep playing them, you have keepers.
I'm not saying that sentimental attachment doesn't make for a keeper in some respects. Or maybe an old, super-valuable bass that sounds bad, but keeps increasing in value is worth hanging onto.
But as a player, if there is a bass that just inspires you to keep playing it, a bass that defines the way you want to sound as a bassist... hang onto it!
When it does vaginal oral AND anal....oh BASSES...........