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What makes a bass a "keeper"

This is a good topic for all to consider. Trying new things and flipping can help bring us closer to finding a keeper, but I'm one who sticks with what I have and adapts.

It is a keeper if I am inspired to play it and I don't want to put it down. Nothing to impede the music making- I have to be physically comfortable with it. I also need to be able to arrive at a workable tone right away and it has to easily fit into a mix.
 
What makes a bass a "keeper"
Hmmmm.. Good question and one I really haven't thought much about. My criterion (not in order):

1. Tone
2. Playability
3. Appearance

If it meets all three, it's a keeper.

Of course, changing wants / needs / dispositions will affect determinations. At the time, I felt that my custom Conklin basses were keepers.

Conklin8s.jpg


Now, I'm playing only 5 strings with the Mike Lull M5V as my main, go-to bass.

Lull1.JPG


Personal taste (for me) is inconstant, continually changing and refining itself as I grow musically and as I get older.
 
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For me, it's not that hard:

- Good look
- Good sound
- Good feel (balance, weight and neck)
- Doesn't duplicate something else I have


... beyond that, I think about how easy would it be to replace? ... I would be much more likely to sell an off the shelf brand because it likely would be easier to replace if I decided that I want another one.

I would add that besides rarity, I consider cost. I own some rare basses that I bought when I had excess disposable income. Even if I could find another on the market today, (impossible with a unique luthier creation) I can't imagine being able to afford one of them again.
 
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I really ENJOY owning certain instruments, they feel a part of me irrespective of cost.

Also PRIDE OF OWNERSHIP - if it makes me feel good about owning it (or having owned it) that can be often overlooked.
I dislike bragging about my gear, but really like to see the eyes light up of people 'in the know' see it.
 
My Gibson SG Standard is my only real keeper, but my 68 Fender Mustang runs a close second. I also have a Hofner 500/1 and a Fender AVRI 57 Precision. Those two will probably end up being flipped. I've played the Gibson more than any other bass. I'm just happy with it and have been since the first day I played it.
 
I know for a fact there are a lot of people on here who flip basses a lot... and often! I'm one of them, I admit it. Though I've been playing for 20 years, I've had almost 100 basses in that time. Some, I had for a day... some for years! But most fell at some point to GAS for another bass.

Not too long ago, I picked up a 93 Stingray 4 on a whim because the price was right. It was added to my SR5 and Status 5 string in the stable to see if I could deal with a 4 string again.

DSC01615_zps64363b0c.jpg


Over the years, I grew accustomed to 5s and many 4s had fallen out of favor with me, but I was coming to grips with the fact that most of my current playing didn't require 5, so this was me turning a new leaf. And honestly, I didn't know what to expect.

The meat of why I'm posting this is the fact that this bass really made me realize a few aspects of what makes a bass "a keeper". Players who flip may be searching for the next new thing or something that other basses don't give them.

For me, the experience has been like this:
Every time I play this bass, at practice or a gig, it makes me even happier than the last time I played it. And that's really a fantastic feeling.
That really made me think about what makes a bass stick to someone like me who doesn't tend to stick to things. I've definitely had basses "jump out" at me and I bought them. And I played them for a while, but eventually cooled on them for some reason or another.
This is different. In fact, the other 2 I have are also like that. For some reason, it never truly dawned on me as such, but it's the truth.

A bass that just continues to make you happy is a keeper. Whether it's a Squier or a Fodera, that doesn't matter. What matters is, it makes you feel good to play it. You can't imagine playing bass without it. Sure, you may have 10 like that... or 100!
But if they are basses that attach themselves to you... if you can afford to keep them and just want to keep playing them, you have keepers.

I'm not saying that sentimental attachment doesn't make for a keeper in some respects. Or maybe an old, super-valuable bass that sounds bad, but keeps increasing in value is worth hanging onto.
But as a player, if there is a bass that just inspires you to keep playing it, a bass that defines the way you want to sound as a bassist... hang onto it!
When I wake up and it's laying beside me, then I know.
 
I've noticed a trend in what becomes a "keeper" for me anyway ... They are usually basses that kinda "fall into my lap" so to speak. Only one of the basses I now have was planned and that one was built for me to my specs, the others I wasn't really looking for, they just were available and acquired usually on a split second decision. As an example for years I wanted a Jazz Bass and never could find THE one that was the keeper, and one day a buddy called and gave me a number of a lady wanting to sell a truck load of gear ... I called and we met in the parking lot of a local pizza place. There was nothing there I really wanted until I spied a ratty old instrument case, inside was a 1973 Lake Placid Blue Jazz Bass and $850.00 dollars later it was mine, it's been my go-to for years now no other J basses need apply ...
 
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