• TalkBass has been independent since 1998. Add your voice.
    Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
    Join freeLog in
    Want zero display ads or expanded classifieds tools? Compare plans.

What Makes a Good Gig?

Just curious, what makes a good gig for you? Does everything have to be perfect or just a few of the many things that are key for it to be considered a good gig? Or is it just the pay? Audience reaction/reception?

So, in my gigging experience all of the following play into my enjoyment of the gig:

Enjoy the repertoire.
Enjoy the musicians I play with.
Enjoy that hang.
Ease of load in and out.
Available parking (at or close to the venue).
Pay.
Stage size or room for setup.
Good sound.
Competent sound person (people) provided.
Not starting too late and getting home too late.
Playing for a large audience.
Playing for a receptive audience.
Getting people up and dancing.
The friendliness of staff and patrons.
Proximity to the venue.
Length of the gig.
For me, some of your list items are why I'm with the band at all and much your criteria is icing.

First three are about the band - if I didn't have that I wouldn't be in the band or might be looking to exit.

Proximity, pay (I don't expect to get rich, but I also won't be disrespected), time of gig and stage size are things I'd consider in even taking the gig, not weather it'll be a good one or not.

Load in, parking, sound person, staff attitude are all icing.

Reaction from the crowd is what makes a gig great. Sure a large crowd makes it awesome, but even a relatively small, but responsive crowd makes it fun.
 
We would all dig if all was perfect of course. If all I came home with at the end of a gig was the drummer bringing the best outta me, my sound being the way I like it and the musicians knowing the material or knowing how to comp well and listen to each other than I would have a smile and be content. All the other things mentioned would just make it better. Enjoy every gig as ya never know when it's yur last. And hopefully we all get to keep playing forever and be happy. Carry on...
 
  • Like
Reactions: Wyrdlow
If the audience is into it and the venue owner or manager is happy then it is a good gig. If there is not much crowd or they ignore you when you are at a bar or club then it is not that good of a gig.
GIF shows a good gig.
YouCut_20231209_071644709_1_1.gif
 
Last edited:
I find it always boils down to the old Charlie Christian list. The only 3 reasons to ever take your instrument out of its case are:
  1. To make money.
  2. To have fun.
  3. To learn something.
Any one in sufficient quantity might make an outing worthwhile. When you're getting all three, be thankful. When you're getting zero for three that's your cue to bail!
 
Last edited:
bassslinger small,

for me what's a good gig? not getting hit w/stuff, especially batteries cuz they really hurt. I also dig it when the gig-goers dig it for what it is... "most kind of them" I'm thinking while feeling grateful.

on bass, watt

http://mikewatt.com/


Just curious, what makes a good gig for you? Does everything have to be perfect or just a few of the many things that are key for it to be considered a good gig? Or is it just the pay? Audience reaction/reception?

So, in my gigging experience all of the following play into my enjoyment of the gig:

Enjoy the repertoire.
Enjoy the musicians I play with.
Enjoy that hang.
Ease of load in and out.
Available parking (at or close to the venue).
Pay.
Stage size or room for setup.
Good sound.
Competent sound person (people) provided.
Not starting too late and getting home too late.
Playing for a large audience.
Playing for a receptive audience.
Getting people up and dancing.
The friendliness of staff and patrons.
Proximity to the venue.
Length of the gig.
 
Just curious, what makes a good gig for you? Does everything have to be perfect or just a few of the many things that are key for it to be considered a good gig? Or is it just the pay? Audience reaction/reception?

So, in my gigging experience all of the following play into my enjoyment of the gig:

Enjoy the repertoire.
Enjoy the musicians I play with.
Enjoy that hang.
Ease of load in and out.
Available parking (at or close to the venue).
Pay.
Stage size or room for setup.
Good sound.
Competent sound person (people) provided.
Not starting too late and getting home too late.
Playing for a large audience.
Playing for a receptive audience.
Getting people up and dancing.
The friendliness of staff and patrons.
Proximity to the venue.
Length of the gig.

Good list. I think I would swap out the size of the audience with the term engaged. I’ve got just as much out of an engaged “crowd” of 50 as an audience of 10,000 plus ( not that I’ve done a lot of those) rocking and rolling.
 
Just curious, what makes a good gig for you? Does everything have to be perfect or just a few of the many things that are key for it to be considered a good gig? Or is it just the pay? Audience reaction/reception?

So, in my gigging experience all of the following play into my enjoyment of the gig:

Enjoy the repertoire.
Enjoy the musicians I play with.
Enjoy that hang.
Ease of load in and out.
Available parking (at or close to the venue).
Pay.
Stage size or room for setup.
Good sound.
Competent sound person (people) provided.
Not starting too late and getting home too late.
Playing for a large audience.
Playing for a receptive audience.
Getting people up and dancing.
The friendliness of staff and patrons.
Proximity to the venue.
Length of the gig.
The club/management entity that originally booked you calling - booking you again (& again).
 
I find it always boils down to the old Charlie Christian list, the only 3 reasons to ever take your instrument out of its case:
  1. To make money.
  2. To have fun.
  3. To learn something.
Any one in sufficient quantity might make an outing worthwhile. When you're getting all three, be thankful. When you're getting zero for three that's your cue to bail!
I like this!
 
playing music you are passionate about to an appreciative audience. everything else is icing on the cake.
Accepting that bar bands are universally interchangeable beer sales devices and background catalysts for social interaction related to the pre horizontal mombo ritual, makes it all worth it.

Money is nice but the entertainment often provided by your audience? Priceless. My favorite example is a couple of girlfriends who got into it about fidelity issues. Apparently one of them was being unfaithful with another woman and the wounded party was angry. It escalated quickly from shouting to slapping, then one locked herself in a porta potty and refused to come out. Her significant other finally talked her out where they immediately started beating the ever loving poopie out of each other. It was over in a minute, and about a half hour later they were down front, arm in arm, drinking and having a great time, the black eyes and broken nose forgotten. Proving live music is a universal salve for whatever troubles the soul.

Being able to load in without having to have a lifted four wheel drive pickup pull your guitar player's eco friendly minivan out of a churned up red dirt quagmire behind the lowboy trailer being used for a stage. At least we got to load out with the help of the same truck. The only other alternative was to hand carry everything across a ten acre pasture worked into a muddy mess by the really big audience who loved the show, so it was a good day.

Playing at a private clubhouse grand opening and having your drummer back into a club member's scooter trying to get close to the door, and that member being a good sport about it once he found out the guy was insured and the payoff for his totaled motorcycle (which he was trying to sell) would more than cover the custom build he had recently started, with enough left over to buy back his totaled bike at ten cents on the dollar, and still put back some mattress money. They loved the show and hired us to play the next six weekends. Sometimes it's better to be lucky than good.

Free food is good. Free food and drink is better.

If playing for the door, supply your own door minion. If the place won't allow this, pass on the job. No point in working while you are also being robbed.

Rent parties are not paying jobs unless you count the gratitude of those you helped keep a roof over their heads while they work through a rough patch. If we get tipped I drop my cut in the pot. This also applies to charity events for privately funded no kill animal shelters. It's not that I'm squeamish or have unrealistic expectations of being able to save them all, I just hate to see a pet paying such a high price for the bad luck of being paired with an irresponsible human. Anything I can do to minimize the repercussions of such a pitiful failure of character is a no brainer.

There are more, but these are just a few of the highlights and lessons from several decades of being an amateur bass player. If I had a chance to do it over, I wouldn't change a thing. :D
 
Last edited:
Just curious, what makes a good gig for you? Does everything have to be perfect or just a few of the many things that are key for it to be considered a good gig? Or is it just the pay? Audience reaction/reception?

So, in my gigging experience all of the following play into my enjoyment of the gig:

Enjoy the repertoire.
Enjoy the musicians I play with.
Enjoy that hang.
Ease of load in and out.
Available parking (at or close to the venue).
Pay.
Stage size or room for setup.
Good sound.
Competent sound person (people) provided.
Not starting too late and getting home too late.
Playing for a large audience.
Playing for a receptive audience.
Getting people up and dancing.
The friendliness of staff and patrons.
Proximity to the venue.
Length of the gig.
I would say that is a good way of summing it up for me. Except the pay part. I occupy a fairly low-pay niche of the music industry.
 
  • Like
Reactions: Wyrdlow
Just curious, what makes a good gig for you? Does everything have to be perfect or just a few of the many things that are key for it to be considered a good gig? Or is it just the pay? Audience reaction/reception?

So, in my gigging experience all of the following play into my enjoyment of the gig:

Enjoy the repertoire.
Enjoy the musicians I play with.
Enjoy that hang.
Ease of load in and out.
Available parking (at or close to the venue).
Pay.
Stage size or room for setup.
Good sound.
Competent sound person (people) provided.
Not starting too late and getting home too late.
Playing for a large audience.
Playing for a receptive audience.
Getting people up and dancing.
The friendliness of staff and patrons.
Proximity to the venue.
Length of the gig.

Money. Music. Hang.

A good gig has two of the three.

A great gig has all three :cool:
 
Just curious, what makes a good gig for you? Does everything have to be perfect or just a few of the many things that are key for it to be considered a good gig? Or is it just the pay? Audience reaction/reception?

So, in my gigging experience all of the following play into my enjoyment of the gig:

Enjoy the repertoire.
Enjoy the musicians I play with.
Enjoy that hang.
Ease of load in and out.
Available parking (at or close to the venue).
Pay.
Stage size or room for setup.
Good sound.
Competent sound person (people) provided.
Not starting too late and getting home too late.
Playing for a large audience.
Playing for a receptive audience.
Getting people up and dancing.
The friendliness of staff and patrons.
Proximity to the venue.
Length of the gig.

Venue didn't burn down
No one was injured
Nothing got broken
Nothing was stolen
The band still exists at the end
No one rage quit

Then the other stuff in the first post
 
I used to let lists like this carry undue weight (for me).

Sure, long/late nights can take their toll, and I really appreciate the opportunity to play with talented players.

But it's really more about the assets I bring to the gig; Top of that list being an openness to the experience.

Out of almost 50 years of gigging, things have almost never gone like I pictured. I try not to even draw the picture anymore; IME allowing only minimal expectations = 1. gratitude for the little moments when things go right at a gig, and 2. greater likelihood they'll be more such moments.

OTOH if I look at an expectations-list before a gig, it doesn't usually go well for me. Those expectations in the past have brought unwanted seeds of resentment that have sucked the fun out of gigs.

And what's the worst thing that's happened? A crappy gig? Boohoo. Why even carry that out the door at the end of the night? No one else cares or will remember; And if someone posts a video on social networking, it'll be buried and forgotten by the next day.

Just load up and do it again on the next gig; It'll be different tomorrow.