Some folks have already mentioned dynamics, but I think it is a generally underrated aspect of what bass players should be doing, ESPECIALLY in blues music. A guitar solo builds to a climax with help from the band, including the bass player.....
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... Listen to what the tuba players were doing a hundred years ago....
Define blues. Robert Johnson sounds way different than Chuck Berry, who sounds way different than Clapton, who sounds way different than Robert Cray,who sounds way different than Stevie Ray....Rockabilly, Bluegrass....
One of my favs- bass solo at 3:30
With no apologies, I will respectfully disagree with the majority of misinformation posted so far in this thread. Blues is the basis of nearly all of our music. Being unaware of that huge section of the art form is not a good basis for being a solid bass player.
Playing Blues well is a matter of knowing a lot of tunes, being fluent on your instrument, and gigging a lot (aka paying the dues).
BTW, Blues played correctly is anything but boring. Saying that reminds me of players who bad mouth Mustang Sally, and then proceed to play it completely and utterly incorrectly.
Here is just one example of how it gets done. There are many others, though few mentioned in this thread. (Shakes head).
Ill add it’s real important to keep the music moving. There is a lot of space in blues, especially slow blues, for the guitar, vocals, etc... the bass has to keep it driving and flowing. If you listen to the good players, they’re not noodling around, just a few connecting licks, an occasional inversion and of course, the turnaround.Almost every answer is correct, especially Willie Dixon, Tommy Shannon and Duck Dunn. The truth is that it doesn't matter much what genre you're playing. Know your role! You are there for the heartbeat. Listen all the time. Stay in the groove. Lock in with the drummer. Support the singer. Support the soloists. Don't get in anyone's way, make everyone else better than they would have been without you.
Chord structure, consistency.What qualities does a great Blues bass player have, in your opinion?
Question prompted by looking at a book on Eric Clapton's performance and recording work since 1985.
A name like "Blind Lemon" or "Foxtrot Zebra Niner".
And their cruel, cruel parents.Yeah the “wannabes” do that kinda s#1t
Some folks have already mentioned dynamics, but I think it is a generally underrated aspect of what bass players should be doing, ESPECIALLY in blues music. A guitar solo builds to a climax with help from the band, including the bass player.....
Was just going to say that. The desired qualities are the same in any genre. Feel/time? Check. Tone? Check. Harmonic knowledge? Check. Intuitive understanding and knowledge of the 'Canon?' Check.I don't think the question is genre-specific.
How do you go from wannabe to real deal with a name like "Green Lantern"?We have a local harp player Blind Mississippi Morris but he is the real deal and from Clarksdale Mississippi and a regular on Beale street in Memphis
How do you go from wannabe to real deal with a name like "Green Lantern"?