I don't mean to be a hoser, but who cares if it's agathis (kauri)? It's another perfectly fine wood to use in a fender-shaped-object. I know it's been beaten to death, but generally the consensus among builders is that the wood in a solid-body instrument is a tertiary consideration when thinking of tone. The signal path is arguably a lot more influential on the tone in an instrument like this than nearly any other consideration (within reason). And speaking from the top of my ivory tower, even more influential over our perception of tone is our cognitive bias. 
My point is that nearly any wood that is in the same density, stiffness and hardness range as the 'big ones' in fender history will tend to perform in the same range. That includes woods like kauri (agathis). Which has several lovely varieties.
My point is that nearly any wood that is in the same density, stiffness and hardness range as the 'big ones' in fender history will tend to perform in the same range. That includes woods like kauri (agathis). Which has several lovely varieties.