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What's On Your Workbench?

I put the BroncoBird onto the workbench to have a look. I guess I should just go ahead and assemble it sometime this week. I have an infusion in the morning, so it’ll be a few days before I feel well enough to get to it, but Lord willing, maybe I’ll have another bass to futz around with in a week or so 😂

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Foiled again….
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I also did a little decal-ing. A friend of mine who runs a little guitar repair shop hooked me up with a headstock decal that’s period-appropriate and a neck plate with a 1975 serial number.

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The decal was very old - he’d had it for years - and I’m not really sure how well it will adhere. I’ll give it a few days and, if it looks sketchy, I might scrape it off and order a fresh one. If it seems okay I’ll shoot some lacquer on it and see how it goes.

No pictures of the neck plate but…. It’s a neck plate.


Curses! :smug: :roflmao:
 
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Got some soldering done:
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Okay, look; I know I said I was trying to get this instrument back to as close to stock as possible. Yeah, I know; that pickup is NOT close to stock. Fine…. I’m applying for a variance, okay? I didn’t have a stock-ish P pickup in my pickup stash but I did have this. As it’s an early Bartolini Hi-A, it probably is from right around 1976 or so but I’m the one who made the rules so I guess I aught to stick to them. I’ll change the pickup out later for something more appropriate but, for now, I just wanted to get it wired up.

I’m on the fence about the headstock decal my friend gave me:
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It dried a little bit stippled. I’m not sure if it’s because the decal was really old or because I didn’t prep the headstock well enough. In either case I’m considering scraping it off, adding a few more coats of finish to the headstock, prepping it better and ordering a new decal. It’s a setback but this project has been a parade of setbacks already. What’s one more?
I might just roll with it as is but I doubt it. It would bug me.

From there it was all about leveling and dressing the frets:
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And that was more than enough for one day.
 
Got some soldering done:
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Okay, look; I know I said I was trying to get this instrument back to as close to stock as possible. Yeah, I know; that pickup is NOT close to stock. Fine…. I’m applying for a variance, okay? I didn’t have a stock-ish P pickup in my pickup stash but I did have this. As it’s an early Bartolini Hi-A, it probably is from right around 1976 or so but I’m the one who made the rules so I guess I aught to stick to them. I’ll change the pickup out later for something more appropriate but, for now, I just wanted to get it wired up.

I’m on the fence about the headstock decal my friend gave me:
View attachment 7477276
It dried a little bit stippled. I’m not sure if it’s because the decal was really old or because I didn’t prep the headstock well enough. In either case I’m considering scraping it off, adding a few more coats of finish to the headstock, prepping it better and ordering a new decal. It’s a setback but this project has been a parade of setbacks already. What’s one more?
I might just roll with it as is but I doubt it. It would bug me.

From there it was all about leveling and dressing the frets:View attachment 7477277View attachment 7477278
And that was more than enough for one day.

Those Hi-A pickups look great and match the idea well.
 
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I called an audible and instead of putting the Thunderbird pickups into the Bronco (which I still plan to do), I put them into a Jazz Bass . I have an old MIM Jazz that feels KILLER … awesome neck on it… and weighs under 8.5lbs… but I don’t need yet another Jazz bass, so I put the t-birds in it. I was definitely not disappointed ! Routed it out, slapped em in, and now it’s one of my favorite basses . It’s a beast !

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Such a killer bass now…
 
Those Hi-A pickups look great and match the idea well.
Yeah, they may not be stock but they’re certainly period-correct.
Early ‘70s was when Bill Bartolini was making a name for himself with Hi-A.
I believe it was 1977 that the factory burned and he re-tooled with a Bartolini stamp on the covers so if somebody wanted Bill’s pickups in their shiny, new 1975 P-bass they would be buying Hi-A.

Also worth noting - those early Hi-A pickups sound fantastic.
 
Odds and ends ---

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I finished up an abandoned 20" baritone Uke for myself. This one has been hanging on the wire for a few years. I've been neck deep in a car restoration for a few months, but I had a few free days to finish this one up. It will probably live in the shop as a stress relief instrument.
Redwood grape stake body and neck, carved redwood grape stake top, heart sound hole. Manzanita fretboard, bridge, nut, and saddle. Abalone dots in a guitar layout (3-5-7-9). Tuned DGBE.
 
The theme for the ‘75 P-Bass restoration seems to be “Do Everything At Least Twice.”

In the case of the finish I can give myself a little slack. I haven’t done much finishing and this was a new product for me so I had to learn the ropes. No problem.

In the case of fret work? I have no excuses. I was in the shop doing something unrelated and I looked over at the neck at an angle that caught the light and thought “Wow, pal…. not your best work.”

Nobody likes having to hear that, especially from themselves, so I did the right thing:
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Now they’re looking like they should.

I was also a little saddened to have to scrape the decal off:
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It was just too old. It didn’t adhere well and wasn’t sitting as flat as it should. It was worth a try but I’ll have to order a fresh one. While I’m at it I’ll put a few more coats of finish on there and get it really nice and flat for the new decal. I don’t want to do this a third time.
 
The theme for the ‘75 P-Bass restoration seems to be “Do Everything At Least Twice.”

In the case of the finish I can give myself a little slack. I haven’t done much finishing and this was a new product for me so I had to learn the ropes. No problem.

In the case of fret work? I have no excuses. I was in the shop doing something unrelated and I looked over at the neck at an angle that caught the light and thought “Wow, pal…. not your best work.”

Nobody likes having to hear that, especially from themselves, so I did the right thing:
View attachment 7482085

View attachment 7482086

View attachment 7482087
Now they’re looking like they should.

I was also a little saddened to have to scrape the decal off:
View attachment 7482088
It was just too old. It didn’t adhere well and wasn’t sitting as flat as it should. It was worth a try but I’ll have to order a fresh one. While I’m at it I’ll put a few more coats of finish on there and get it really nice and flat for the new decal. I don’t want to do this a third time.
I can't count the number of times I've done things twice. As I get older, I'm getting to the same point with doing things 3 times. Pretty soon, I'll be spending my days doing the same thing over and over again...
 
Squier Jaguar modified.

Modified headstock
Wilkinson tuners
Custom headstock decal
Routed to accommodate Wilkinson J-Bass pickups
Replace the MM humbucker with a Reverend Split Brick
Mini toggle to choose Split Brick, J-Bass pickups or all 3
Blend knob to pan between the J-Bass pickups
Jack moved to edge of the body.
Wilkinson Black Bent-Plate with brass saddles.
Custom Orange Pearl pickguard

Hope to finish it this week.

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