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What's On Your Workbench?

On my workbench right now, I'm planning out my next builds to start after my son and I finish his headless short scale project.

Two tribute style projects. These are going to become the tops on a Warwick-ish 4 string bass and a PRS-ish guitar:

IMG_20190618_201725.jpg


Not super sure about any of the details yet, will probably be maple/cherry necks, cherry bodies. These builds might not start until next winter so I've got time to figure it out.
 
On my workbench right now, I'm planning out my next builds to start after my son and I finish his headless short scale project.

Two tribute style projects. These are going to become the tops on a Warwick-ish 4 string bass and a PRS-ish guitar:

View attachment 3451784

Not super sure about any of the details yet, will probably be maple/cherry necks, cherry bodies. These builds might not start until next winter so I've got time to figure it out.

WOW WOW WOW is all I can say. That quilting and bookmatching are absolutely beautiful.
 
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Yeah....not cheap but they explained that the high price is due to there being a lot of wastage during manufacture...

Whatever......I NEEDED them:hyper:..........I can live on baked beans with the best of 'em...:woot:........

Mmmmm.....beeeeeenz! :drool:
I can believe the wastage: I broke two line markers. Fortunately it was a set of 24 for a 22 fret bass.
 
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Back to the Luminlays: I'll probably try some experiments with luminous pigment powder and CA in a side-dot application. I have some Luminlay sanding dust set aside and played with that a bit as a filler with CA and it seemed like it would work. Also going to look a making a better light charger than the Luminlay supplied one. Hmmm..... I just so happen to have a blue bass and a aqua bass still in the works...
 
Back to the Luminlays: I'll probably try some experiments with luminous pigment powder and CA in a side-dot application. I have some Luminlay sanding dust set aside and played with that a bit as a filler with CA and it seemed like it would work. Also going to look a making a better light charger than the Luminlay supplied one. Hmmm..... I just so happen to have a blue bass and a aqua bass still in the works...

Jon;

You can get the luminescent powder in all different colors at an art supply store. It's very simple to make your own dots with the powder and CA glue. My late buddy Mike Lipe made luminescent side dots that way on his guitars for years. He had me make up little aluminum sleeves to add a silver ring around the outside for extra class. He'd drill the hole in the neck, set in the aluminum sleeve, mix up the powder and CA glue, and dab it in there. That was about it. File it off smooth and polish. He bought the little charging flashlights somewhere online.

You can also pre-cast the dots yourself, rather than buy the expensive stock from Luminlay. Make up a silicone mold with a bunch of little cylindrical cavities. Mix the luminescent powder with epoxy, or CA glue, or some other clear resin. Pour it in the mold, and pop out little cylindrical luminescent dots of whatever size you want.
 
I did the powder/CA inlay side dots. It was $5 for the powder, which would do about 1000 side dots, and they also threw in a bunch of extra stuff. And the "tubes" I used for the surrounds were carbon 1/8" hollow tubes from Dragon Plate, which I think were about $2 each and one was enough to do at least 2 basses worth.
It worked pretty well! They don't glow super bright for hours or anything, but if you're on a pitch-black stage and you have a phone light or laser pointer, they'd get you through the gig.

IMG_5477.JPG

I'd definitely do aluminum or brass tubes if it weren't a maple fingerboard. Carbon was fine, but a little harder to cut without splintering, even with a carbon-specific blade.