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What's the wackiest stringed instrument you've ever seen?

I acquired this Hammerchord, which plays like a toy piano, sounds like a dulcimer:

View attachment 4865151

The hammers bounce on their own, some sort of spring-loaded device inside, so when you press down a piano key it automatically creates a tremolo.

I think there were only 6 of these made in the ATL area before the guy who made it passed away (he also made harps)
I wonder if something like that was used on this Lalo Schifrin track, later sampled by Portishead…

I think that’s Carol Kaye on bass.
 
Become-a-Harpist.jpg
 
From my western perspective the wackiest instrument I actually own is an ektar (also know as gopichand and several other names). I guess it wouldn't be considered wacky at all by someone coming from Bangladesh/India/Pakistan where they actually know how to play it properly though.

I just got an ultra-cheap one from Thomann but I've actually used it far more than I thought. I can't say I'm very good at playing it but with the right song/arrangement it can be really cool for creating subtle drones.
 
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They call this one the Morin khuur.

View attachment 4864539
An esoteric rectangular two-stringed thingy. Goofy instrument.

Keeping a leaderboard for the most bonkers strings instruments. (All instruments must be real items)

1. bholder (post #2)
2. The Owl (post #5)
3.
They call this one the Morin khuur.

View attachment 4864539
An esoteric rectangular two-stringed thingy. Goofy instrument.

Keeping a leaderboard for the most bonkers strings instruments. (All instruments must be real items)

1. bholder (post #2)
2. The Owl (post #5)
3.
Just a little part off - and that will be me.
 
The Baroque period reminds me of the early Cenozoic, in that there is such a variety of weird creatures, and the forces of evolution ultimately say “Nope, you’re not coming along for the ride.” What we are left with is a significantly reduced diversity (this isn’t entirely accurate, and it doesn’t take the future into account), and a refinement of what works.
 
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