Yamaha SBV. Had a chance at a yellow one locally on CL, but couldn't scrape up the cash.
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A burst RD Artist, a la
LISTEN TO THAT. LISTEN.
I'd probably settle for a natural finish if I could afford one right now, but the bursts are so much rarer and sexier.
Nice choice, not sure it exactly qualifies as a bass... but they are rare and cool.a VW Rabbit pickup truck![]()
Its GOT to be a one-off and probably a special order since the L2000 was essentially the Sabre bass with a couple of improvements (the Sabre's pre was more like a G&L than a Musicman, which I (and I profess to entirely guessing here) imagine is A: why MM didn't make a Sabre until recently (probably a gentlemanly agreement) and B: it was a PIA to make one since the pre was different from the 2 and 3 band Stingray EQs. I don't imagine (and again entirely surmising) that Leo ever intended to mass produce a passive L2K - not saying t doesn't exist, Leo was nothing if not an experimenter and was notorious for producing one-offs for special requests at the beginnings of each of his 3 iconic companies (when productions was such that he cold accommodate requests like that).The ultimate White Buffalo G&L bass.....the 1980 passive-only L-2000.
I don't really want one, but would love to find one just to show the naysayers that they really were produced. They have to be rare as hell, and it's possible there may actually be only one in existence, but I know for a fact there was at least one built and shipped to a G&L dealer for retail sale.
There was an original (though in rough shape) at one of the local shops for the LONGEST time - I was tempted, but couldn't justify it.![]()
Yamaha SBV. Had a chance at a yellow one locally on CL, but couldn't scrape up the cash.
Its GOT to be a one-off and probably a special order since the L2000 was essentially the Sabre bass with a couple of improvements (the Sabre's pre was more like a G&L than a Musicman, which I (and I profess to entirely guessing here) imagine is A: why MM didn't make a Sabre until recently (probably a gentlemanly agreement) and B: it was a PIA to make one since the pre was different from the 2 and 3 band Stingray EQs. I don't imagine (and again entirely surmising) that Leo ever intended to mass produce a passive L2K - not saying t doesn't exist, Leo was nothing if not an experimenter and was notorious for producing one-offs for special requests at the beginnings of each of his 3 iconic companies (when productions was such that he cold accommodate requests like that).
Woud be cool to see - but like you, an active L2K with the option is much more desirable - plus other than the "security" of knowing I can play if my battery dies, I don't rally have any use for the passive setting - the G&L pre sounds like a "passive bass" (in the raw and aggressive way that's considered good) but better. They are the only active bass I've ever enjoyed enough to keep (I would have kept the Sabre, but it was my old mans and he was an incurable trader).
Interesting. Would not have guessed that. Well - the other thing Leo was notorious for was being unpredictable.The one I know about (and could have bought brand new in 1980) was definitely not a special order. It was part of the initial order of one of the earliest G&L dealers, along with several L-1000's, which seems obviously to have been from the first production batch. After that initial order, the dealer I'm referring to was not able to order any more L-2000's until the L-2000e became available, sometime afterwards. He always lamented the fact that when the L-2000e models arrived, it seemed nobody wanted the L-1000's anymore.
The passive L-2000 is pictured in the original marketing stuff, so it was evidently intended to be produced, at least in the early days. I wouldn't be surprised if a handful were built and shipped to dealers before production was halted, but I've never seen another one for sale anywhere.