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When is your bass "good enough"?

When it doesn't hold me back. Personally, practicing more is better than any mod I can do.

Also, given my age and some chronic health issues, I've decided to play pretty much stock instruments from here on out. That way if I pass suddenly, my wife won't have to get into painful detail about what's been done to any of my instruments. They're also easier to value in stock condition.
 
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The neck of my Warwick Corvette has been polished to a high gloss from a satin finish because of how much my hands have passed over it and there's marks from the rounds on its fingerboard, despite its ebony composition and the finish has been nearly worn through from where I often anchor my thumb when not in use. The edges of my upright's fingerboard have been rounded and smoothed out from wear. The frets on my Fender have been chewed up by the strings and the pickup has been rounded and polished where I anchor.. The one I made myself has gouges and raspmarks and other "imperfections" on it that will always remind me of the hours spent carving it out by hand.

I won't change any of it. For me, a bass is good enough when I've spent enough time on it for my hands to understand it. I may be slightly romanticizing the sensation, but that's how intimate the bond is. Sounds kind of strange considering I don't name my basses or refer to them with pronouns, but whatever. I guess this means when I get off work, I'll have to spend a little more time with my fretless 6. As comfortable as it is, it hasn't been quite as worn as my other basses.

Thanks for making me warm and fuzzy TB

Instruments make me feel like I have a purpose :)
 
My last bass was perfect both when I bought it and when I modified it 20+ years later. Late 70's white Fender Precision, had a Jazz neck on when purchased used in 1986 and I was just getting the hang of playing fretless with the Warmoth neck installed in 2010 when it was stolen out of our house. I haven't had a bass since, just have been trolling craigslist looking for Willie Whitetrash or Mickey Methlab's for sale ad for it!
 
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Hello TB,

A question regarding modifications. Most of us enjoy making our basses our own, whether it's a neck swap or preamp install. Some of us only want one or two things done, some go the whole nine yards and completely renovate their instrument.

What does it take for you to be happy with your bass? Is it tone, playability or aesthetics? Share and explain your bass mods here.
Some buy the one they wanted too LOL!
 
1. Playability, ergonomics.
2. Pickups can always be changed out, provided it has standard dimension in cavities.
3. Ease of maintenance, such as changing height of the pickups, without them turning loose. String changing is an important thing to me.
4. AND THAT THE BASS DOESN'T MIX METRIC AND SAE WITHIN THE SAME INSTRUMENT. This goes with point 3.

Numerous Asian basses comes with metric in all areas. All of a sudden they have chosen HipShot tuners, or Hipshot bridge, but GoToh tuners to go with it, so not one allen wrench or hex fits all. Or screwdrivers even. Some uses sae for truss rod bolt, and then the bridge uses metric. Annoys the f* out of me most of the times. Canadian made basses runs metric, but ever so often has to make concessions.
 
1) Playability. If it plays like crap I won't play like me.
2) Tone. Easy enough to "fix" in most cases. But these days even some really inexpensive basses sound just fine.
3) Reliability. I gotta be able to know that when I turn the tuners they will both turn and stay in place. Same goes for pots, bridge adjustments, etc.

Other than that I can make whatever work.


You took the words right out of my mouth.
 
I had my 14 year old Carvin modded out.
I replaced the stock Pre amp with a classic Sadowsky Pre,
Replaced the pickups with Nordstrand, added a bone nut and had a custom ramp installed.
The tones I can get are super it's like a working man Fedora.
It cost me about a thousand $, well worth the money.
I am more than happy with what I did.
 
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I had my 14 year old Carvin modded out.
I replaced the stock Pre amp with a classic Sadowsky Pre,
Replaced the pickups with Nordstrand, added a bone nut and had a custom ramp installed.
The tones I can get are super it's like a working man Fedora.
It cost me about a thousand $, well worth the money.
I am more than happy with what I did.
If I were going to mod any of my basses, it would be my LB76, and like you with a pickup/preamp swap
 
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For me, ergonomics/feel/fit/build come first. It has to feel comfortable enough in my hands for me to play easily. It should be light and/or balanced enough to not feel too heavy when I'm wearing it for a few hours. And it should hang on me so that I don't feel like I'm reaching uncomfortably with either hand to play it. I reluctantly sold two fantastic basses because the ergonomics just didn't fit me. And regarding build, the parts have to work sufficiently well that either I don't have to put any money into the bass or that the low cost of the bass makes any needed work worth my while.

Second is the overall tone and the usable versatility of the bass's controls. Part of that includes how easily I can adjust whatever controls it has to get a variety of sounds I can reasonably expect from it (for example, I expect a lot more usable tonal variety from an active multi-pickup bass than I do a passive single pickup bass).

Third, I have to love how it looks. Call me shallow if you want, but it is a factor for me. I baby my basses and I like when they're in almost new condition when I buy them (I only buy used) and then I keep them in like new condition. And I'm a diehard burst/natural finish fan, so I almost always have to lurk for a long time looking for a bass I really want and then I have to jump on it right away. But I'm patient enough to wait for one that I really want to pop up for sale and, for me, that M.O. has been well worth it. Besides begin good, well-made, and great sounding basses, I also think my basses are gorgeous.

If a bass wows me in all three of those dimensions after I've had it for a year or two then I decide that it's good enough and it becomes a permanent keeper. I've owned 15 basses so far and two have made it to that status, plus I have another I recently got that I hope makes it. If a bass doesn't make it to that level, then it becomes a candidate for sale. If I decide I simply don't like it for whatever reason then I sell it once I make that decision. If I do like it but it's not quite a keeper, then I hang onto it and it either becomes a way to finance my next purchase or it actually becomes a keeper.
 
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My main players are mostly stock. Two have newer/upgraded output jacks (reliability) and two have modded tone caps. Very minor things that don't really change the vibe of the instrument that much. I bought them because they're what I wanted right out of the box.

That said, I like to mod. I like to tinker. I tend to always have a cheap Fender or Squier around that is constantly getting tweaked. Guitars or basses. When I get tired of it, it gets traded or sold on craigslist for the next project.

I have my players to play. I have cheapies to mod as a hobby.
 
I read through a bunch of these comments before commenting (I like to see what people say about mods!). I own 3 basses, A Squier P-bass which is the first bass I ever owned and have modded significantly, another Squier P-Bass that I got for a steal on craigslist that was supposed to be my secondary bass (I never got around to using it much) and a Fender Kingman Acoustic bass. The Kingman I am obviously leaving alone. When I bought my first bass, I knew nothing about tone and sound other than I knew what sound I liked. As the years went on and I became a better bassist, I studied the ins and outs of the instrument, from different pick-ups to what strings I want to use and what amp I wanted. I became obsessed with finding my perfect tone. I ended up getting the amp I wanted, messed around with different size strings, and found the pick-ups I wanted. My Squier P-Bass off the shelf was black with a 1-ply white pickguard and a rosewood neck. I ended up getting SPB-3 pickups, and found a custom tone so I only have a volume knob. I added a 3-ply black pickguard and scratched out where it said "Squier" on the headstock and wrote "Nick" (my name) in cursive in its place. I eventually added strap locks and a white Ernie Ball strap with a couple of black accents added here and there. A couple of other small cosmetic things here and there, and there is my bass. I haven't done anything else to it in years (partially because I had to take a break from playing it for a few years) and while my knowledge of the instrument is not what it once was, I still love it and am now starting to continue my journey to find my perfect sound. Every time I think I have found it, I listen to a song and hear an even crisper tone and I immediately want to chase it.

To me, the #1 thing I look for is tone. To me it is what separates you from the next bassist. Two people can have the exact same instrument but can sound different. After that, playability, reliability, and even looks are all important too. I didn't exactly take care of my bass in my playing heyday because I played a lot of punk and metal music and it shows, especially with the cheaper Squier wood. I have been a lot more cautious with it to preserve it because I would like to keep my first bass for the rest of my life. My bedroom is pretty small so in order to save some space and not feel cramped I would always put my bass away after playing it. Recently though, I don't even care about that and I leave it out on display on a stand. I do it because every time I look at it I get an urge to pick it up and play it. Even if the sound gets dull I'll slap on some new strings and the excitement is right back there. It's like a woman (or man) that you love, after all these years you still look at it the same way, it's something special.

My journey for the perfect tone has had me looking at other instruments recently. I've always loved the P-Bass and the way it sounds, but a month or so ago I really got into the J-Bass tone. Then I started digging basses that had a combination of P-Bass and J-Bass pick-ups. I have plenty of time to look around and decide which route I will end up taking. Maybe way down the line I will drop some $$$ on the customs shop! That's the great thing about music - even if you're not a rockstar you can carry it with you the rest of your life.
 
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I'm mostly recording and not playing live that much currently, so my answer is "When it gets the job done". Sometimes that could be a weirdo pawnshop funky hollow body with horrible action and you can't play in tune above the 5th fret but it just does something special to the track. Otherwise, and most often, it's just a good solid, properly set up bass with great tone---usually a P or J---I love my US Glaub but I've played MIM P's with upgraded pickups that sounded just as good when recorded. I also don't mind sacrificing a little ease of playability for great tone (for example higher action with heavy strings if that's the right sound).
But for live I need to know it's totally reliable (so the funky pawnshop number is out in that case).
 
Now that I've owned a few basses, my priorities are playability and the feel/balance in my hands(which is the ONLY reason I don't own a BC Rich Ironbird), performance while downtuned, USA build & neck through body is a major factor, and then looks are a bonus. My Korea-built neck through Schecter 5 string does the job very well, my next step up would have to be a US Spector NS or a Forte. Someday.
 
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