The Who, when Keith quit.
It's not like he had a choice, but yeah...
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The Who, when Keith quit.
Apparently, you never listened to "Cut the Crap".how about a positive take on the topic by mentioning the great bands that quit BEFORE they lost it! go out on a good note and not ruin their good reputation by being greedy and beating a dead horse.
1. The Police
2. The Replacements
3. The Clash
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David Bowie--after Aladdin Sane
Pink Floyd-- after Dark Side of the Moon
The Who--after Quadrophenia
Led Zepplin--after Houses of the Holy (although not as much as the first ones)
the Stones-- from @ 1975 on, say Goat's Head Soup
The Moody Blues--after Seventh Sojourn
Yes--after Close to the Edge
i'm sure i'll think of others
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I love iron maiden & quite honestly they are the reason i am a musician today but everything after "fear of the dark" left me disappointed with the exception of "a matter of life & death".
Hold it right there.....Floyd? after Dark Side? Dude Animals is an amazing album, far more dark than the Wall ever was, with the stand out cut Sheep still an all time fave...
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how about a positive take on the topic by mentioning the great bands that quit BEFORE they lost it! go out on a good note and not ruin their good reputation by being greedy and beating a dead horse.
1. The Police
2. The Replacements
3. The Clash
![]()
Rush - after Moving Pictures (Feb 1981, sorry, but when the synthesized intro to Subdivisions starts up I tune them out almost totally for decades.)
Queen - after "Jazz" (Nov. 1978)
Renaissance - after "Azure D'Or" (1979)
Genesis - after "Duke" album (1979)
Jethro Tull - after "Stormwatch" (1979)
Kansas - after "Audio Visions" (1980)
Yes - after "Drama" (1980)
Heart - "Bebe le Strange" (1980)
Supertramp - "Breakfast in America" (1979)
Cheap Trick - "Dream Police" (1979)
Yeah... something horrible happened around 1979-1980 that RUINED a number of great bands. My friend and I call it "The BUS WRECK." At some point in late 1979, early 1980, (New Years' Eve 1979 maybe) Rush, Queen, Yes, and all the other above bands were on a bus that drove off a cliff somewhere. The record companies were screwed and had to bring in look-a-likes for all of these bands, but the replacements, while looking like the original members, were not as talented and the quality of music fell off sharply with the very next releases and with an occasional exception, stayed low). The "Bus Wreck of Sometime in either 1979-1980" theory explains the "musical cliff" of these bands and their near-simultaneous fall from musical grace.
How else to explain the shift from effin' greatness to ewwww at the same time for so many bands in the span of one album?
Meh, it's a theory, anyways.![]()
Great list. I would modify David Bowie (after Let's Dance), Pink Floyd (after Barrett was fired), then add
the Pogues (after Shane was fired),
the Clash (after Mick was fired),
the Kinks (after Preservation Act 1),
Creedence (Mardi Gras?),
the Beach Boys (when they became a nostalgia act)
Music changed, and I stopped listening to the radio. I started investing heavily in a format I knew would last forever.
Cassette tapes.
I guess I might as well say it: GnR when they came out with the Use Your Illusion albums. There are some downright awesome cuts between the two albums...but the key words are "between the two albums." There is so much pretentious filler between the two that neither album is solid on its own nor taken together as a gestalt. Did we really need a second version of Don't Cry with alternate lyrics? Did we really need a song with Axl. whining about every self-important music critic who wrote a bad review of Guns? Grow some balls, dude. You're Axl. freakin' Rose, man! They definitely jumped the shark with that one.
This was when Axl. was trying to become an "artiste" rather than the screamer in a dangerous hard rock band. Of course, we all know what happened post UYI: the instrumentalists went on to do other things and create relevant music in the late 90s and 2000s. Axl. took twice as long as Boston to release a follow-up album that sunk like the Titantic.
RUSH can still play their butts off. But Geddy's lost the screech he once had.