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Which 5 would you get?

Which 5 would you get?

  • Jazz

    Votes: 40 25.0%
  • StingRay

    Votes: 70 43.8%
  • Other - note below

    Votes: 50 31.3%

  • Total voters
    160
Well, I would never get a 5 string, though I am pondering on investing in a short scale 6 string tuned E-E at some point.

If I was to buy a 5 string I would get the Ibanez Mirko one though, as I use a Ibanez Mirko 4 string as my main.

Can't really recommend you any, as I have no experience using a 5 stringer, or ever even played one for that matter.

If I were to chose between the 2 you pondered on, I would probably chose the StingRay though.
 
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If you don't mind my asking, whataya have now? That would weigh heavily into my decision. Also, how are you going to use it? Do you play a primary style or are you trying to cover all the basses/bases?

If it's going to be your only main player to cover a lot of sonic ground I would probably go with the Jazz. You can still tweek the tone actively with other parts of the signal chain. But having the passive option is a must for me. That's sticking to your two choices.

Going off the reservation, I would be looking into a Maruszczyk Jake with P/MM. It's active/passive. Coil split for the MM. Looks fantastic. Gets good reviews. Sonically covers just about as many sounds as one bass possibly can.
 
If you don't mind my asking, whataya have now? That would weigh heavily into my decision. Also, how are you going to use it? Do you play a primary style or are you trying to cover all the basses/bases?

If it's going to be your only main player to cover a lot of sonic ground I would probably go with the Jazz. You can still tweek the tone actively with other parts of the signal chain. But having the passive option is a must for me. That's sticking to your two choices.

Going off the reservation, I would be looking into a Maruszczyk Jake with P/MM. It's active/passive. Coil split for the MM. Looks fantastic. Gets good reviews. Sonically covers just about as many sounds as one bass possibly can.

I own a Fender Jazz and a MM StingRay. The Jazz is tuned Eb and is used in my cover group, and the Ray is tuned standard and is used in my tribute group.

The 5 would be used in my cover group and for any other time I need a low B. I personally am more of a passive guy, but I've been watching a lot of Marta Altesa's YouTube videos, and I love the tone of her Ray. That said, I also love the tone of my Jazz.
 
I own a Fender Jazz and a MM StingRay. The Jazz is tuned Eb and is used in my cover group, and the Ray is tuned standard and is used in my tribute group.

The 5 would be used in my cover group and for any other time I need a low B. I personally am more of a passive guy, but I've been watching a lot of Marta Altesa's YouTube videos, and I love the tone of her Ray. That said, I also love the tone of my Jazz.

It's reeeeally tough to make the call when you reeeeeally love two very different tones, isn't it? :D

Yeah your closest compromise to getting it all will be an active/passive P/MM or J/MM with coil split. But if you are mostly going to use it for the cover band where you already use a J then that may be the way to go.

I'm a passive guy and have a Hammersmith 5 coming with a P (Seymour Duncan Antiquity II) at the neck and a Seymour Duncan NYC 5 (in essence a double jazz) at the bridge. Master volume and tone. 3 way for neck/both/bridge. 3 way series/single/parallel for the NYC. Should cover a lot of passive ground. Can't wait to dive into all the options. I should be able to set the amp and forget it and then use switches and my fingers/pick to do the rest.

Good luck with your hunt. When it's all said and done every bass is a compromise. Just don't get too caught up in the feeling of "Tonally, I left something on the table." Pick something and rock the crap out of it. :bassist:
 
If you love a Stingray sound...get that
if you are a Jazz bass sound guy...Get that

The Stingray will never sound like a jazz bass
The jazz bass won't sound like a Stingray , but can still get very funky

That is all

^^^This. These threads and polls make me chuckle because I'm not sure what criteria to use to vote. If you are just asking for my personal preference then I'd vote other because my preference doesn't involve Musicman or Fender. Since you asked to note below I'll start a list of basses I'd rather have (in no particular order and certainly not comprehensive).
Bacchus
Ken Smith
Tobias
Mayones
Spector
Sadowsky
Maruszczyk
Roscoe
Sire Marcus Miller V7 or M7
G&L L2500 or M2500
Etc.
 
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If you get a stingray check the D and G strings and make sure they have a good sound and volume. I have an early 90s Stingray 5 I used for many years, but I now play my backup, a MIM Jazz 5 (1995), because the D and G strings are louder and fatter sounding. Also the Stingray is heavier and I got used to to wider string spacing on the Jazz 5. I remember trying a Jazz 5 before I got the Stingray and I liked it a lot.