Your definition of "cuts through the mix" is different from how most of the folks here are thinking about it. Cutting through the mix in this case means you can actually hear the individual notes he's playing. It's not just a dull blur where you can only tell that he "was there" when he stops playing. It doesn't mean he drowns out everyone else. Sklar ALWAYS sits nicely in the mix. He's never overbearing; he can always be heard; and his fills are tastefully done in all the right places. He's an incredible musician.Hahaha... yep, since 1963. Some records I played on had very prominent bass. and I never really liked it. To me, bass is just a support instrument. Yes I dig Jaco etc, but live I dig the likes of Lee Sklar who just sits IN the mix, not cutting through. I think I'm definitely weird.
You also have to remember that in the recording studio, they are in the ideal environment to make their music sound exactly how they want it to sound. If the bass line is prominent in the studio mix, it should also be prominent in their live performance. If it doesn't have the same prominence live, then something is not going right. They don't want it to sound different, it's just much more difficult to get the same sound live that you do on a studio recording.