I am lucky to play in a Primus Cover band. We are playing all the old songs, up to the Pork Soda.
I know "it is all in the fingers..." but I want to get closer to the tone and feel of the great Claypool. I am only talking about his work with the 4-string Carl Thompson bass.
With my Warwick Streamer Stage 2 I get quite close, but I simply don't enjoy playing this bass anymore. I also have a Fender P bass, which works surprisingly great in this context. But my drummer wants me play a more "modern" bass
Currently, I am thinking about getting one of the following basses:
a) Alembic Stanley Clarke
b) Nash Jazz bass
c) Fender P bass modified with EMG and Kahler tremolo
d) Asking a local luthier to build a medium scale bass with whammy bar...
What would you do?
I know "it is all in the fingers..." but I want to get closer to the tone and feel of the great Claypool. I am only talking about his work with the 4-string Carl Thompson bass.
With my Warwick Streamer Stage 2 I get quite close, but I simply don't enjoy playing this bass anymore. I also have a Fender P bass, which works surprisingly great in this context. But my drummer wants me play a more "modern" bass
Currently, I am thinking about getting one of the following basses:
a) Alembic Stanley Clarke
b) Nash Jazz bass
c) Fender P bass modified with EMG and Kahler tremolo
d) Asking a local luthier to build a medium scale bass with whammy bar...
What would you do?

