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Which Fender should get the flats

Which one gets flats?

  • 50’s Classic Lacquer

    Votes: 18 15.0%
  • 58 AV

    Votes: 40 33.3%
  • Road Worn

    Votes: 33 27.5%
  • None of em

    Votes: 9 7.5%
  • Carrots

    Votes: 20 16.7%

  • Total voters
    120
I have never had flats on a bass until I received my 58 AV that came with them already installed. I play in a tribute band and also at church and only use rounds. So I pulled off the flats and put them away in the case. Since all three basses are essentially the same, with different pickups, I was wanting to put flats on one of these basses.

So I ask TB, which bass would you put them on and why? Whichever gets the most votes I will install them on. All of these basses play and sound great.

From left to right
50's lacquer, 58 AV, Road Worn. Thanks.
View attachment 5195522

The black one. A la "Black beauty" P bass that James Jamerson had.
 
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all three basses are essentially the same, with different pickups
My experience with my Ps is different.
Maybe in the end - meaning FOH - it doesn't really matter as much - they fundamentally sound the same, but each of my Ps has a slightly different voice / personality that I hear when I play them.

IME: You really have to try them on each.
The bass (and your ears) will tell you which one is the best fit.
 
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Whichever of the three is more mellow / has less high end. You don't want to put flats on the brightest one, even though it might sound great, because you will be losing a tool.

At first, I put flats on one P bass for a while. Then I surrendered to putting flats on my Jazz bass and my other P bass, the brightest. The mellow P wears GHS P flats. The brightest bass--the other P bass--wears Rotosound 77 Jazz monel flats.

How bright or mellow they are I modulate with tone controls and whether or not I have foam mute the strings or to what degree.

The bright one with the Rotos, unmuted, with the tone dimed is as bright as I would prefer rounds to sound anyway.

From trying flats to begin with I realized prefer stiffer strings. Plus, no more need for frequent string set changes and I get more consistency.

It works.
 
Last edited:
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I voted '58, but maybe consider letting the bass decide. Get a set of flats and string one up, doesn't matter which, rehearse with the band. Swap the flats onto the next bass and rehearse. Rinse and repeat. You should know which bass likes flats after the third rehearsal. Or if they all pretty much sound great with flats, which imo P basses tend to do, buy two more sets and say g'day to rounds completely.
+1