I agree that a hum-cancelling J is a good idea in a PJ bass.
I have a Warmoth PJ with SD SPB-1 and SD STK-J2 in bridge position. The Warmoth J routing is closer to the neck than usual 60s or 70s bridge pickup location, so it sounds somewhat fuller.
Unlike some, I normally use the J full volume, and add P pickup as desired with good results. P pickup emphasized sounds good as well.
I use 500k volume pots and Fender TBX tone control (V-V-T).
Sounds like the Dimarzio Area J is a good for hum-cancelling bridge pickup, especially if the P is hot or will be emphasized.
I have a Warmoth PJ with SD SPB-1 and SD STK-J2 in bridge position. The Warmoth J routing is closer to the neck than usual 60s or 70s bridge pickup location, so it sounds somewhat fuller.
Unlike some, I normally use the J full volume, and add P pickup as desired with good results. P pickup emphasized sounds good as well.
I use 500k volume pots and Fender TBX tone control (V-V-T).
Sounds like the Dimarzio Area J is a good for hum-cancelling bridge pickup, especially if the P is hot or will be emphasized.

