Currently running Ernie Ball cobalt flats on my mod shop P with a Vintage II ‘60 pickup and it just sounds lovely. My first foray into flats, and these were a good place to start, still have a decent brightness.
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My P bass is currently wearing Olinto flats which really sound great in a mix
Mine too but I keep reading that the tape breaks the connection between you and the shielding so there's still buzz. I keep wantng to try tapes but it's an expensive experiment if they end up buzzing.All of my basses are thoroughly shielded with adhesive copper tape, and I can run tapes on all of them with zero buzz!
@lastminute I previously had 45-105 LaBella DTF on this bass. The bass is a 2012 MIM with Lindy Fralin standard wound pickup, CTS pots, .47uf Orange Drop cap, and cloth insulation wiring. The DTF LaBella strings sounded great! They had a real punch to the initial note attack due to their stiffness. Perhaps due to the electronics of my P bass they were very clear and not muddy at all. (Any strings on this bass are very clear, probably due to the Fralin pickup).I’ve been curious about those. How different do they sound from regular La Bella’s?
I too have had EB Cobalt Flats on my USA P5. It's got a beefy sound that surprisingly cuts through when they are (mistakenly) trying to keep me from being too loud in the house. I should confess that because my P5 is passive I usually run it through a Fishman Platinum Pro EQ/DI box as the box has compression, and a bunch of other knobs that don't even come on a pre-amp'd bass.Currently running Ernie Ball cobalt flats on my mod shop P with a Vintage II ‘60 pickup and it just sounds lovely. My first foray into flats, and these were a good place to start, still have a decent brightness.
My two main P bases both have Dimarzio Model p pups but one is light weight ash with maple fretboard with an inherent bright tone with GHS Precision flats that sound fantastic, the other is a heavy ash with rosewood board and has a much darker sound by comparison. So I’ve got some D’addario 40-95 Chromes on the way to replace the same GHS Precision flats and hopefully give this bass better note articulation and definition? So yeah even tho two similar P basses but have big tone differences that require pretty different flatwound strings.I have 5 Fender Precisions, all have had different strings at various times. Currently, one has LaBella DTFs, one has LaBella LTFs, two have D’Addario Chromes, and one has Fender flats. I find with strings you need to experiment until finding a good match because each bass is unique in how it responds.
Been a couple years since I posted this. I have replaced all roto 66’s with the labella IMA strings for rounds. In my opinion, way better strings.For me the best P tones come from either rotosound 66 steels of labella deep talkin flats, MAYBE TI’s.
But the beauty of a p bass is that as long as the strings can resonate well, ANY string type will sound good.
I have a '96 G&L SB-1 with LaBella Deep Talkin' Flat 760FX, the lightest set - I much prefer them to the LTFs I tried on it before.I have 4 P's if I include my '87 G&L SB1 in the mix...
My '87 SB1 is currently wearing a set of LTF's..... but only until I decide what to do with this bass. I was hoping the LTF's would find a home in the SB1, but alas, there is no cure for the dull, mushy sounding and mushy feeling LTF's. They sounded promising at first on one of my Fenders..... but any magic in the mids they had died at breakin. I have an older set of the V2 Sadowsky Blue Label Flats stored away.... I'm thinking of putting those on..... or maybe a set of tapes..... we'll see.