A4 above middle C4 on the piano and is the modern standard reference pitch.
From there the piano tuner tunes the rest of the piano in 12 TET or the oboe player plays this note and the rest of the orchestre tuned their A to the oboe wheter it is 110Hz 220Hz or 440Hz.
The only widespread tuning standard with 12-Tet besides 440Hz is the french 435Hz (1859) which was adopted in Europe in a lot of countries and recommended at a congress in Vienna 1885.
I find this pitch more suitable for dramatic opera and rock music where staying connected (vocal folds) and maintaining more of a chest sound (Less wovel modification) at the second passaagio is the norm...
From there the piano tuner tunes the rest of the piano in 12 TET or the oboe player plays this note and the rest of the orchestre tuned their A to the oboe wheter it is 110Hz 220Hz or 440Hz.
The only widespread tuning standard with 12-Tet besides 440Hz is the french 435Hz (1859) which was adopted in Europe in a lot of countries and recommended at a congress in Vienna 1885.
I find this pitch more suitable for dramatic opera and rock music where staying connected (vocal folds) and maintaining more of a chest sound (Less wovel modification) at the second passaagio is the norm...