TalkBass has been independent since 1998. Add your voice.
Create a free account to reply to discussions, view embedded media, and browse with fewer display ads.
Join free Log in
Want zero display ads or expanded classifieds tools? Compare plans.
The most important difference is the difference in horn dispersion between the K8 (105 degrees conical), K10 (90 degrees conical), and K12 (75 degrees conical). So think of how much dispersion you need for your application (mains or monitors) and how much low frequency response you need.
QSC - K Series Specifications
Thanks - I guess. I've actually been all over the spec sheets and have a good grasp of hte differences on paper. Now I'm looking for some real world reports.
K181 would be way cool performance wise but it's to darned big to fit in my car along with everything else I haul. The Ksub (and a second down the road) is where I think I'm going sub wise.
I use K12's exclusively because they are very effective as monitors due to their dispersion but also very friendly as mains. I also like the the bass response of the 12's. I've even used a K12 as a bass amp at rehearsals before. And if I can make one important suggestion: whichever model you end up getting, buy the QSC carry bag. It's a great bag and makes transport so much easier. Also the K-series plastic scratches pretty easy so the bags will prevent scratches during transit.
QUOTE]I have the K12 and Ksub. As in this post we use the full system at rehearsal and I go direct through it. I use the tops for monitors in my 5 peice band and the drummer who uses yamaha electronic drums also use one of these 12's as his drum monitor and he is to freaking loud. I like the 12's for my trio that plays 60's to 80's stuff. Handles vox, drums and bass and gtre. Often times I wish I had bought the 10's as they are a bit smaller and lighter. If you ar using a sub I might opt for the 10's the second time around![]()
I'm leaning towards 2 K10s and 1 K sub. Size is a really big deal as everything moves in my Subaru Outback wagon.
Plus - I'm not sure that 105 degree dispersion is actually a good thing. I do a couple of rooms where there are glass walls up close and personal with the stage. 90 degree might be an advantage there.
Currently I'm running 2 Mackie C200's crossed between 120 and 140 as tops and a pair of fEarul 12 subs. The little sub's kick hard and with a larger vehicle ... but I'm really up against things transport wise. Going powered let's me lose the power rack (PLX2402, x-over and final limiter).