they don't become better musicians expressly FOR public adoration, but it just seems like a little love from the larger public would be a bit of compensation for their hard work, just a thought.
And how could you call a man (Pat Metheny) who used Jim Hall's unique style as a launching pad for over thirty years of cutting edge music, using his jazz training to explore styles as diverse as Americana, Brazilian music, free jazz, and several extented compositions ("Secret Story" and "The Way Up") a REACTIONARY? He's always breaking new ground, but always with the utmost taste. Whereas Wynton's music is a tacky pastiche, which ham-fistedly tries to fuse Armstrong and Coltrane, all while sounding so dated out-of-the-box that King Oliver would blush. But Branford is the man.
And how could you call a man (Pat Metheny) who used Jim Hall's unique style as a launching pad for over thirty years of cutting edge music, using his jazz training to explore styles as diverse as Americana, Brazilian music, free jazz, and several extented compositions ("Secret Story" and "The Way Up") a REACTIONARY? He's always breaking new ground, but always with the utmost taste. Whereas Wynton's music is a tacky pastiche, which ham-fistedly tries to fuse Armstrong and Coltrane, all while sounding so dated out-of-the-box that King Oliver would blush. But Branford is the man.





