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Because I can figure out where to put my hands myself. I don't need to be told.
Okay. Sounds good. I think you are all too serious.You learn to read music. One of my issues with tab is I might not want to play everything in the same position as notated.
What am I supposed to say to that?
I try to initiate a conversation on something, and a Staff Member shoots me down. Sweet.
I'll keep that in mind next time I'm making hundreds of dollars on a gig that requires me to sight-read a book of written charts....IMHO, notation of any kind is a crutch... use your ears... YMMV...
Tab can be a useful reference for explaining tricky fingerings. Here's an example of an arrangement I did where both are useful.
I feel your pain. If you’re trying to learn to read notation having the tab right under is extremely distracting because if that’s what you’re used to it’s so much easier.
I remember wishing for the books I wanted without tabs. It would also make everything more condensed.
I think as you get better at reading music it gets easier to ignore the tab because the notation is giving you more information. Until then, tape is the way to go.
When I started playing in the early 80's (violin, then french horn, and finally bass in the late 80's) TABs where not a subject at all. I learned to play notation, and working around chords. this is still my favoured method, making my own lines.However i have never experienced tabs "getting in my way of reading the notation". i think one explanation for this is that I have also been siinging in a choir for the last 30 years. When you are accustomed to look at 4, 8, or even 12 lines of notes, wit a piano score at the bottom, you get quite good at holding on to the one that's yours. Even if the number of voices vary during a song. A small pencil-mark, or a yellow marker dot at the beginning of each line of music is of course good to have every once in a while.
Here is a cuick snap of a typical choir part. nothing complicated.
View attachment 3612140
I think what was being said (if maybe a little too bluntly) is that pairing the two on the same page doesn’t pose an existential issue for most people like it seems to present for you. Most players (such as myself) just ignore the tab and read the standard notation (or vice versa) and ignore the other.
Whiting out the tab just seems a little over the top. So perhaps the first reply was a little over the top as well.
Question: why do you find having both so annoying? I’m asking because my SO has a vision issue that makes it difficult at times for her to reliably skip lines when reading from a score with multiple parts on the same page. For example, she sometimes has trouble jumping to her line if it’s every fourth one down.
It is similar to watching a movie with subtitles. If you don't need them you just have to learn to ignore them. But it would be nice to be able to turn them off.
Notation can be if you become the type of musician who can only play if you have sheet music in front of you. If you actually know how to use it, it’s essentially hearing the music in your head just by looking at the sheet music, even without an instrument in hand....IMHO, notation of any kind is a crutch... use your ears... YMMV...
...IMHO, notation of any kind is a crutch... use your ears... YMMV...
Why do folks write books and put Notation and Tab above each other? Forcing me to go through with white-out or a marker to delete the tab. Is it to teach people how to read?
Why can't there be separate volumes; one notation only and the other tab only.
Frustrating.
See an awful lot of, "my method is best and if you don't do as I do, you are a lesser musician," in this thread. We bass players tend to be snobby at times.

I used to think the same way, but over the years, and moreso recently, I've started to put my prejudices aside, for the following reasons.
1: Tablature for stringed instruments has been in use since long before standard notation as we know it;
2: Whilst standard notation does have conventions for indicating string and position, it is a little clumsy, IMO. Compared to TAB, which is wholly unambiguous and has all the information presented in one place, those little italic roman numerals and numbers in circles here, there and everywhere can soon clutter a score;
3: A book or score with TAB alongside standard notation will reach a larger user-base, which means ongoing publication of new material at a reasonable price remains viable.
I much prefer standard notation as I can hear it in my head as I read it, but TAB has a legitimate place for all string players going back to medieval times, and there is little in standard notation that full TAB, as opposed to the simplified TAB we see more commonly, can't represent.
YMMV, but like others have said, if I decided I didn't want TAB and that I wanted to redact it, that would be my decision, not something I did under duress.