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I think this question lacks a little context. In some ways, I think, the Jazz DID "dethrone" the Precision. It's definitely the more popular bass in a few different genres and realms. I'd argue that IMO, Jazz basses are now more popular than Precisions, just from where I sit and the media/music/etc that I consume. That's not even speaking as a Jazz fanboy or anything-- I don't even own one. The closest I have is a fretless Carvin B4-- which at this point sounds more like an upright than a Jazz. Otherwise, the Jazz is a bass that I see all around me but have never owned myself.On paper, the Jazz has everything to dethrone the Precision as the most widely used type of bass, such as:
So, why did the J never manage to dethrone the P in your opinion?
- A faster, smaller and thinner neck that is most likely more comfortable for more people;
- Two pickups for a wider range of tones, including a neck pickup that most of us couldn’t distinguish from a P’s when soloed in a blind test; and
- Offset body that is more comfortable to play while sitting down.
That's a good point. Fender introducing the Jazz when they did was a great move on their part. By introducing a second bass when they did, in the early days when it was common to see "Fender bass" in album liner notes rather than "electric bass" or simply "bass" they cemented that they would have the two most popular basses on the market and everyone else could compete for third.Actually, that is a very good question - my company had (still does) the king product in our category, and we absolutely tried to de-throne it. Any company with common sense does that.
The logic is simple - if it's possible for someone to de-throne your product, you want it to be you, not your competitor. If you succeed at de-throning your own product, you still have the king, albeit a second king. If you fail, you still have the original king. It's always good to be/have the king.
No, "chacun (a) son/ses goût(s)" (literally everyone (has) their taste(s)), "les goûts et les couleurs" (literally tastes and colors) and "tous les goûts sont dans la nature" (literally all tastes are in nature) are all three commonly used expressions. But "to each their own" seems to be the best translation.Chacun à son goût ?
But I never heard that, so maybe it is old french ?
It's difficult to top an original. If I had to choose between a P and J, I wouldn't even have to think about it... P all the way! But that's just me. Js are cool and serve their purpose. I just think the P bass sounds better in a mix with all that punchy midrange. Hence, it's popularity.On paper, the Jazz has everything to dethrone the Precision as the most widely used type of bass, such as:
So, why did the J never manage to dethrone the P in your opinion?
- A faster, smaller and thinner neck that is most likely more comfortable for more people;
- Two pickups for a wider range of tones, including a neck pickup that most of us couldn’t distinguish from a P’s when soloed in a blind test; and
- Offset body that is more comfortable to play while sitting down.
Actually, that is common business practice. It's known as 'creating your own competition'.Why would anyone think FMIC would have wanted to "dethrone" another FMIC product?.
I still remember Buck Buchanan saying to the hype man/announcer when DR’s name was mentioned, “Dirty, Dirty Rhodes…”Or Dusty Rhodes & Abdullah the Butcher....not sure which was dethroned here........
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1: less meaty toneOn paper, the Jazz has everything to dethrone the Precision as the most widely used type of bass, such as:
So, why did the J never manage to dethrone the P in your opinion?
- A faster, smaller and thinner neck that is most likely more comfortable for more people;
- Two pickups for a wider range of tones, including a neck pickup that most of us couldn’t distinguish from a P’s when soloed in a blind test; and
- Offset body that is more comfortable to play while sitting down.
That would be : à chacun son goûtAs the French say, chacon a sons gou...