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Why do, if you do, prefer one fingerboard material over the others?

There's no wrong answer, and it's not about which is better. Why do you like the fingerboard you like? I love maple boards because I like the feel of them and I like the aesthetics. I have rosewood boards which I like too. But I prefer maple.

Your turn.

Rosewood. Mainly because 60 years ago when I was learning how to play the guitar, most acoustic guitars had rosewood necks. Since the I've owned one guitar and one bass that didn't have a rosewood neck. My Warwick Corvette the fingerboard is wenge. My 94 American Standard N series Strat is maple.

The Strat is the only instrument I've worn grooves through the finish and down into the finger board. The crazy thing is the frets are in really good shape. And it's not like I was touring with it, just home practice and some session work. Hence, no more maple necks.
 
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I really didn't care for maple - for years until recently.
Why? We all have our quirks - justified or not.
Coming from upright, I think dark fingerboards just looked "correct" to me - and I liked the way bare wood felt under my fingertips vs. finished maple.
I still prefer the look of dark rosewood or ebony, but - hey, if it's a great playing and sounding bass, that's all that matters to me anymore.

What's changed?
My growing appreciation for the history of the electric bass, and realization (and acceptance) that those 1st Fender Ps were all maple fingerboards.
Also; I've gotten 2 (maple) fretless basses in the past few years, and they are fantastic. (Mikey likes it!)

And as long as were on the fingerboard subject - I've also gotten over the whole "unlined vs. lined" fretless thing.

Now if we could just do away with cream and white pickup covers, I'd have no "issues" at all. ;)
 
I currently only have one rosewood fretboard but would like a few more.
I like my maple fretboard necks but that's because they are good ones.
It seems more companies can make a neck with a rosewood fretboard that feels good than great feeling all maple necks.
The important thing for me is that the fretboard edges are rolled to get that nice soft non edge-y feel.
I also don't care for a really flat fretboard radius.
Fender 7.25" and 9.5" are good, the Peavey 8" feel great and Yamaha 10" feel right.
A wide 1 -11/16" or 1.75" nut with a shallow neck depth front to back has become my favored feel.
 
I like them all.
It's purely about aesthetics for me and how the look of the instrument works as a whole.
Not mentioned much earlier but I really love the look of a maple with some of the finish worn through.
 
Ebony of all types. With a specific interest in Macassar and Pale Moon. Just for the looks.

Though to be honest, everything is fine by me as long as it isn't dried up to the point of cracking or unevenly coated with black dye to simulate ebony (always winds up looking like a bad paint job on a fence- grey porous streaks and terrible color). People who have bought cheapo import struggle guitars online (such as myself) will def know what I mean.
 
Ebony = my favorite. Hardness/durability and looks (I like the jet black ones especially). For my fretless, I also chose ebony to try and get as close to an upright in terms of the sound of "strings on fretboard" for jazz playing (whether or not there is really a discernible tonal difference or not).
 
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