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Why do, if you do, prefer one fingerboard material over the others?

Maple, absolutely! For no better reason than I like how it looks. :) The amber tint they put on reissue Fenders and Squiers especially.:drool: Rosewood for a fretless though, and I really can't say why. :rolleyes: I've never laid my hands on a bass with an ebony board, but that could sway me - funds permitting!:D
Honestly, for me, it's all about how it looks.
 
Maple is lighter and rosewood is darker and ebony is even darker

colored.

in general if the headstock is painted OR the neck/fingerboard/headstock are the same that's a good tone for a bass or guitar.
If the body is painted and has an opposing pick guard and a rosewood or ebony fingerboard and an uncolored maple headstock the whole thing sounds like an unfinished product.

The tone of the headstock should match either the tone of the body or the tone of the fingerboard or both. One bass doesn't really need to be 4 different colors.
 
I'm a "tonewood skeptic", so it's all about "aesthetics", for me.

Gimme a rosewood fretboard with a painted headstock or an all-maple neck with black pearloid blocks & binding and I'm good to go, especially if the board is on the curvier side. :drool:

I can do a rosewood board with a maple headstock, but it absolutely must go well enough with the body and hardware. Again, "aesthetics"! :thumbsup:
 
Your turn.
sorry, but i like 'em all. :D

i used to think that ebony was the only way to go. and though different, ebonol proved to be fantastic. rosewood was always the greatest, and coated maple is the bomb even though i can't say anything bad about 'composite'/imitation fingerboards....you can see where i'm going with this... :cool: :D
 
I like maple and rosewood equally. Pao Ferro is OK but only looks good with certain color finishes. The Indian Laurel everyone is using seems like garbage. I've seen so many of those with fret sprout and fretboard cracks after just a couple of years. Seems like the remaining "rosewood" companies are using is also pretty crap quality, with twists and knots in it that will result in unstable fretboards and high frets over time.
 
Fretted: no preference

Fretless: rosewood

But I've played ebony and whatever weird wood my Ibanez has (panga?) and don't notice a difference when playing. I just know rosewood is time-tested and works/looks great.