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Why Do You Stick To The Same Type Of Basses?

Apr 11, 2005
127,260
125,191
Plymouth NC
Disclosures
Endorsing: Yamaha, Ampeg, Line 6, EMG
Posting this as hopefully a fun thread with without judgment, without whininess because someone doesn't want to play yours or my favorite basses. I'm in it for the pics and fun stories of why some folks have settled on only one type of bass or one beloved favorite for everything. So please don't muck up this thread with douchebagginess, but yes, I'm going to talk about why I ultimately stuck with Fenders or Fender "tributes." Please feel free to contribute stories about what made you stick with only one type of bass if you have, and leave the sniping at other brands to a million other threads. And post pics.

When I started, my first good bass was a new 76 Fender Precision. We had a store in Orlando with a great selection where I could play all the different types of basses out there from Alembic to whatever ended in Z back then and the P sounded and felt as good as any that I was willing to pay for. Nice bass, a little too wide a neck pocket but as good as any from that era once you deal with that. I'd occasionally paint it and mod it over the years once I decided the pickup wasn't doing it for me by itself, but it was my only good bass for 15 years and I couldn't wait to ditch it and get something more high end and "modern" back when "modern" was the proper term for a bass with now-45 year old technology. That's what I did. I totally didn't want to play Fenders just on principle of being too broke to afford anything else.

So once I got some money, I experimented with others. I've tried everything from hollowbodies to active neck-thru boutiques, the cheap to the sublime, and they work very well for me on some types of music, OK for others, and not too great on a couple types. The only thing I could bring and always sound great on everything no matter what it was were Fenders. I still have bouts of wanting to use a different type on a gig, but I've given it up. Love a good P, love a good J, but I've decided on the PJ format with Geezers for my number one all-around does-everything bass, though I usually stay on the P. I'm counting my P in with the PJ's, too, but a PJ always goes to first time meetings with new musicians.

In black of course. With Hipshot Bass Xtenders. Still got that 76 Precision too, though the only thing left of the original bass is the body. It's the one in flat black. Doesn't have to be a real Fender, though. My go-to is a Hammersmith PJ I got 3 years ago. But it has to be black and have Geezers. I have a pieces parts PJ with flats in seafoam green, but it almost became black 2 weeks ago until my wife ordered me not to touch it. So it can stay here for her whilst I rock the Black Brigade:

Black Brigade.jpg
 
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A44B997E-7ADE-465F-8EA6-593B732C0D3F.jpeg A395DC51-8760-4C58-8E08-28AEA50058EC.jpeg 42A0EE8F-D107-4221-8BE4-D99AFDB2E620.jpeg 2E5F33B3-7772-4DBA-AB08-56C6912E0C87.jpeg D66D05D4-A4B3-4358-A5AA-AEC7F58D5FE2.jpeg FD16FE35-E53A-459E-BCB0-D7EE52328951.jpeg Rickenbacker. In 1975,It was my first really good bass, after a solidbody hofner, and a (sorry) 70's Pbass.
I've owned one or more ever since then,and i do keep trying other brands for awhile,usually for a year or two,and then move them on.
Right now besides my 5 Ricks,i have a veillette citron,spector ns2j, gl jb2, gl lb100,an epiphone Embassy pro,and a Fernandes 8 string gravity. They're all great basses, but the Ricks are still my favorites.
I just bought the Spector,and so far i'm really digging the body ergonomics,and great neck.
Love the feel, but still not crazy about the active emg sound.
 
View attachment 3659171 View attachment 3659172 View attachment 3659173 View attachment 3659174 View attachment 3659175 View attachment 3659176 Rickenbacker. In 1975,It was my first really good bass, after a solidbody hofner, and a (sorry) 70's Pbass.
I've owned one or more ever since then,and i do keep trying other brands for awhile,usually for a year or two,and then move them on.
Right now besides my 5 Ricks,i have a veillette citron,spector ns2j, gl jb2, gl lb100,an epiphone Embassy pro,and a Fernandes 8 string gravity. They're all great basses, but the Ricks are still my favorites.
I just bought the Spector,and so far i'm really digging the body ergonomics,and great neck.
Love the feel, but still not crazy about the active emg sound.
Bonus points for the black Ric, bro! Great collection.

i have a black 76 fender precision
You get double bonus points for having a black 76.
 
Around 1994 or so I moved to a different military band. They had brand new orange Yamaha TRB6P that the previous bass player had ordered before he left. I had been playing a BB5000 for a few years and was getting fairly comfortable on 5-string. Eventually I checked out the TRB6P and I actually liked the sound of the BB5000 better, but I wanted to learn 6-string as I thought it would be useful for my job. Explanation: I played a lot of jazz trio where I was expected to solo on most tunes, so the high C is nice for playing solos.

I bought a used green TRB6P to have a consistent instrument to practice on at home and use for civilian gigs. A TRB6P has been my #1 since 1995. Although it's not exactly the sound I hear in my head, I have received lots of compliments from audience members on how these basses sound. I also have a fairly modest collection of 4- and 5-string basses, but at this point I am most comfortable on the 6-string.
 
Around 1994 or so I moved to a different military band. They had brand new orange Yamaha TRB6P that the previous bass player had ordered before he left. I had been playing a BB5000 for a few years and was getting fairly comfortable on 5-string. Eventually I checked out the TRB6P and I actually liked the sound of the BB5000 better, but I wanted to learn 6-string as I thought it would be useful for my job. Explanation: I played a lot of jazz trio where I was expected to solo on most tunes, so the high C is nice for playing solos.

I bought a used green TRB6P to have a consistent instrument to practice on at home and use for civilian gigs. A TRB6P has been my #1 since 1995. Although it's not exactly the sound I hear in my head, I have received lots of compliments from audience members on how these basses sound. I also have a fairly modest collection of 4- and 5-string basses, but at this point I am most comfortable on the 6-string.
I'm cool with that...Yamaha is family now :D
 
Posting this as hopefully a fun thread with without judgment, without whininess because someone doesn't want to play yours or my favorite basses. I'm in it for the pics and fun stories of why some folks have settled on only one type of bass or one beloved favorite for everything. So please don't muck up this thread with douchebagginess, but yes, I'm going to talk about why I ultimately stuck with Fenders or Fender "tributes." Please feel free to contribute stories about what made you stick with only one type of bass if you have, and leave the sniping at other brands to a million other threads. And post pics.

I've been nearly exclusively into weirdo unlined fretless fours since the mid-70s. Owned one for forty years (sold a couple of years ago), the second one for seventeen now, and my current #1 for just over a year. The first two were/are neck-throughs, and if I'd had the choice my new one would've been too, but it's not and it turns out to not really matter beyond aesthetics. All have been all active all the time as well. Why? Because nothing else has ever held my attention for more than a year or so, and I hate buying and selling stuff unless there's a very compelling reason to. If I ever buy another BG it will come from either a close friend or my nephew, because I can. The end.
 
I've been nearly exclusively into weirdo unlined fretless fours since the mid-70s. Owned one for forty years (sold a couple of years ago), the second one for seventeen now, and my current #1 for just over a year. The first two were/are neck-throughs, and if I'd had the choice my new one would've been too, but it's not and it turns out to not really matter beyond aesthetics. All have been all active all the time as well. Why? Because nothing else has ever held my attention for more than a year or so, and I hate buying and selling stuff unless there's a very compelling reason to. If I ever buy another BG it will come from either a close friend or my nephew, because I can. The end.
Man, it takes a real level of commitment and excellence to go total fretless, lined or unlined. I could never do it but I've had a couple fretless basses from time to time and they certainly are a blast to play. Intonation issues and lack of fretless expectation on my gigs made me lazy.

Salut, Charlie!
 
Man, it takes a real level of commitment and excellence to go total fretless, lined or unlined. I could never do it but I've had a couple fretless basses from time to time and they certainly are a blast to play. Intonation issues and lack of fretless expectation on my gigs made me lazy.

Salut, Charlie!

Thanks Jimmy, but it cerrtainly has cost me gigs. I do own a fretted fiver and an EUB, and gigged on the EUB a ton for around ten years and the fiver all of twice. If I ever did go back to gigging I'd probably do it on acoustic upright, but that's a whole lot of commitment, as you know!
 
I play fretless very nearly exclusively (haven't even played a fretted bass on a gig since early 2014). I've settled primarily on 5 string Ibanez fretlesses.

I've owned a GWB35, which I loved, but I wanted something that didn't only have a bridge pickup. I then had a Portamento SR705F that I upgraded the pickups and pre to higher-end Bartolini, and that was a great bass. Then I bought a cheap SR375EF as a backup, but fell in love with it. I even like the stock pickups and pre ... The Powerspan pickups actually impress me, and I feel no need for any electronics upgrades. I wanted a little better action than I could get with it from the factory, so I had Mike Lull plek it. Now it both plays and sounds amazing.

Reasons I wound up in the Ibanez camp:
1. I love narrow-spaced 5s, and the 16.5mm spacing on the SRs is just perfect for me. I owned two very good 5s with 19mm spacing, and ultimately didn't care for them.
2. The neck feel. I like thin and narrow necks. These have that in spades.
3. Light weight and ergonomics. My 375 is one of the heavier Soundgear models, with its maple body, but even this one just weighs 8.5 pounds. My SR705F was about 7.5 pounds, and my one fretted bass, an SR505, is around the same. They all balance very well, and upper fingerboard access is great.
4. Sound. I love how these sound and how versatile they are.

So that's how/why I wound up where I am now. Here's my 375:
IMG_20190518_190523249.jpg
 
Although I respect basses of all string counts, I have developed a keen interest in 6-string basses. I have 11 now, have another one on order and plan more in the future. Most of my wishlist involves 6-strings.

This stated, there are a few 5-strings (new / used) on my wishlist that I would enjoy just as much. They include: Sadowsky, Alleva-Coppolo, Mike Lull, EBMM Stingray HH, Fender Victor Bailey 5 or Marcus Miller 5, Ibanez American Masters MAB5, Fender Bass V (the vintage one with 15-frets and strung EADGC).

Some 4-strings also reside on my wishlist, including: Rickenbacker 4003sw, vintage 1970s Fender Precision and Jazz most likely refinished, 1980s MIJ Fender Performer, Warwick Stryker & Buzzard, Kubicki Ex-Factor, vintage Framus 5-150 Star Bass, 1980s MIJ Gibson Q80 or Q90, and an Upright/Double Bass.
 
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I play fretless very nearly exclusively (haven't even played a fretted bass on a gig since early 2014). I've settled primarily on 5 string Ibanez fretlesses.

I've owned a GWB35, which I loved, but I wanted something that didn't only have a bridge pickup. I then had a Portamento SR705F that I upgraded the pickups and pre to higher-end Bartolini, and that was a great bass. Then I bought a cheap SR375EF as a backup, but fell in love with it. I even like the stock pickups and pre ... The Powerspan pickups actually impress me, and I feel no need for any electronics upgrades. I wanted a little better action than I could get with it from the factory, so I had Mike Lull plek it. Now it both plays and sounds amazing.

Reasons I wound up in the Ibanez camp:
1. I love narrow-spaced 5s, and the 16.5mm spacing on the SRs is just perfect for me. I owned two very good 5s with 19mm spacing, and ultimately didn't care for them.
2. The neck feel. I like thin and narrow necks. These have that in spades.
3. Light weight and ergonomics. My 375 is one of the heavier Soundgear models, with its maple body, but even this one just weighs 8.5 pounds. My SR705F was about 7.5 pounds, and my one fretted bass, an SR505, is around the same. They all balance very well, and upper fingerboard access is great.
4. Sound. I love how these sound and how versatile they are.

So that's how/why I wound up where I am now. Here's my 375:
View attachment 3659235
Wow, two fretless committers in one thread and on the first page, no less! I'm impressed!
 
Hey, great thread! Thanks for making a thread that fosters interesting discussion about our experiences and our choices.

My experience may be different from many of you - I wasn't around in the 70s; I'm 33 now and I really started playing bass around 2008 or 2009, can't quite remember. My first bass was an LTD B-50 from a pawn shop that had passive pickups and scratchy pots. I loved it and I played it all the time when I could. A year or two later, I purchased (on impulse) this gorgeous six-string bass I saw in a store without really knowing anything about it or six-string basses in general; it didn't have a brand on it, but it played well and I loved the neck inlay. I started playing that a lot even though it was heavy and had crazy neck dive, and when I had to start playing out at a gospel church, I bought a Rogue six-string for $200 so that I could carry it around in a gig bag on my motorcycle without worrying that it was irreplaceable.

I played those two basses for a long time (not so much the LTD due to a bad input jack and terrible pickup foam) and when I came to Seattle, I only brought the original six-string in the move. I found my Ibanez SR506 in a pawn shop (which I bought for the same reasons as the Rogue - I wanted an everyday beater) and it's been my main ever since.

So I suppose I don't really stick to the same brand of basses (I'd like to try others, although I'd definitely play an LTD again, and I do really like Ibanez) but I do tend to stick to my six-strings now as I've become used to the range and versatility. When I go to jams, I'm not above playing someone else's bass, which I find fun and instructive sometimes - routinely sitting in on different instruments ensures that I'm not limited by instrument idiosyncrasies like string spacing, nut width, or scale length. (I have some friends with Ps and Js, and one fellow bassist with a Stingray HH.) But I do like my Ibanez as my daily driver; it's light, versatile, balances fairly well, and I like the neck - the instrument generally feels good to play. I suppose the two main reasons I don't own more bass guitars is 1) the Ibanez is enough for my personal and band needs and 2) basses cost money.

I'll probably start to branch out more with time, though. I would love to play/own a three-string bass and seven-string at some point, and it'd be nice to build some technique on a fretless.
 
I prefer a Precision-ish neck with Precision-ish string spacing and (usually) a passive but hot Precision-ish pickup. I like a warm and aggressive sound with a substantial but not chunky feel, and this seems like the way to go. Common and boring as this sounds, it does end up in some more visually exciting places than one might expect:
40077546_10215560591641297_7779500509789945856_o.jpg

Fierce as the one on your left looks, that pickup in the one on the right is insane. It sounds like Lemmy if Lemmy played a P.

E70B865C-5303-41D9-B688-46B183348713.jpeg

My go-to instruments are actual Precision basses, but I had to give them a few twists of my own (both now have Seymour Duncan Quarter Pound pickups, but if I played more fingerstyle than pick, I might have stuck with the M&V; I would recommend either, FWIW).

While that's where I've settled, the 5-string ATK I have had since 1995 (and the 4-string I recently acquired to match it) get passes in the pickup department, maybe because it's through those that I came to prefer a Precision-ish neck after some early flirtations with Rickenbackers and Jazz basses. A bit of a different sound now and then doesn't hurt, either.
14E5E628-3359-4356-AEF1-83B99E4A14FB.jpeg


While it's a favorite topic of debate, the best bass for metal for me turned out to be the P. (That's even after owning a Thunderbird and a Spector, either of which seems like a more logical choice sonically or visually.) I have a couple of short scale P/Js, and a headless, bodiless, fretless Westone Rail (look it up), but when I reach for an instrument, it's nearly always something Precision-ish.
 
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Wow, two fretless committers in one thread and on the first page, no less! I'm impressed!

Oops, forgot the obligatory pics. Here are my current two:

'03 Crescent Moon fretless, maple/ebony neck-through, one piece sapele body, w/Q-Tuner pickups:

CMB_2015.JPG


2018 Marco Bass MV, bolt-on maple/purpleheart neck, ash center block, cedar body, maple top wings, custom neo sidewinder Marco Bass pickups:

MV4FL_HC74.png
 
Unlined fretless 4s are my thing. It started in 1983 with a borrowed Westone thunder 1 that I defretted, followed in 1985 by my own 'parts' J, that I played to 1988...
FB_IMG_1562068140468.jpg

This was replaced in 1986 by a Wal Probass, lined fretless (no pics unfortunately), and an Eko BX-7 in 1987...
20190305_155519.jpg

20180523_053239.jpg

...that I used until 2015, when it was replaced by a '92 StingRay and a Corvette Standard...
20180811_190306.jpg
FB_IMG_1557255777920.jpg


There were a few fretted basses along the way, starting with a 1980 Ash/Maple Jazz (no pics) that was traded for the Wal, then (from 1988-1992) a 1982 Squier JV Precision, that went from Oly white to black and from P to PJ. (@JimmyM this is just for you)...
Me With P-Bass.JPG

...and in 2015 a 2012 SBMM Ray34...
This time with frets.jpg

Going forwards, unless another Wal comes my way, the fretless StingRay will be my weapon of choice. Sonically and ergonomically they just work for me. The new fretless BFR StingRay Special is on another planet, but at almost £3000 so is the price.
 
Oops, forgot the obligatory pics. Here are my current two:

'03 Crescent Moon fretless, maple/ebony neck-through, one piece sapele body, w/Q-Tuner pickups:

View attachment 3659266

2018 Marco Bass MV, bolt-on maple/purpleheart neck, ash center block, cedar body, maple top wings, custom neo sidewinder Marco Bass pickups:

View attachment 3659268
Purpleheart fingerboards never don't blow my mind, but in unlined fretless?! What a lovely slab!
 

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